{"id":13629,"date":"2015-02-13T16:13:28","date_gmt":"2015-02-13T16:13:28","guid":{"rendered":"http:\/\/thevirtualinstructor.com\/members\/?page_id=13629"},"modified":"2026-07-06T15:05:31","modified_gmt":"2026-07-06T15:05:31","slug":"the-members-minute-preview","status":"publish","type":"page","link":"https:\/\/thevirtualinstructor.com\/members\/the-members-minute-preview","title":{"rendered":"The Members Minute Preview"},"content":{"rendered":"
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Art Critiques<\/h1>\n\n

All critiques are included with membership.<\/p>\n

Start Trial<\/buttonbluez><\/a>
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EPISODES<\/h2>\n
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\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED EIGHTY-ONE 7\/6\/26\n<\/div>\n
In this episode, we critique a graphite landscape drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED EIGHTY 6\/29\/26\n<\/div>\n
In this episode, we critique an oil pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Mixed<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-NINE 6\/22\/26\n<\/div>\n
In this episode, we critique a mixed media drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Charcoal<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-EIGHT 6\/15\/26\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-SEVEN 6\/8\/26\n<\/div>\n
In this episode, we critique a pastel portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Watercolor<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-SIX 6\/1\/26\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-FIVE 5\/25\/26\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-FOUR 5\/18\/26\n<\/div>\n
In this episode, we critique an oil pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-THREE 5\/11\/26\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-TWO 5\/4\/26\n<\/div>\n
In this episode, we critique an oil pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY-ONE 4\/27\/26\n<\/div>\n
In this episode, we critique a mixed media drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTY 4\/20\/26\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Watercolor<\/div>\n
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\nEPISODE FIVE HUNDRED SIXTY-NINE 4\/13\/26\n<\/div>\n
In this episode, we critique a serene watercolor landscape.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Painting<\/div>\n
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\nEPISODE FIVE HUNDRED SIXTY-EIGHT 4\/6\/26\n<\/div>\n
In this episode, we critique a vibrant, colorful painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED SIXTY-SEVEN 3\/30\/26\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FIVE HUNDRED SIXTY-SIX 3\/23\/26\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Scratchboard<\/div>\n
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\nEPISODE FIVE HUNDRED SIXTY-FIVE 3\/16\/26\n<\/div>\n
In this episode, we critique a scratchboard etching.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Watercolor<\/div>\n
\n
\nEPISODE FIVE HUNDRED SIXTY-FOUR 3\/9\/26\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED SIXTY-THREE 3\/2\/26\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Pen<\/div>\n
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\nEPISODE FIVE HUNDRED SIXTY-TWO 2\/23\/26\n<\/div>\n
In this episode, we critique a pen and ink portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Charcoal<\/div>\n
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\nEPISODE FIVE HUNDRED SIXTY-ONE 2\/16\/26\n<\/div>\n
In this episode, we critique a graphite and charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FIVE HUNDRED SIXTY 2\/9\/26\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-NINE 2\/2\/26\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-EIGHT 1\/19\/26\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-SEVEN 1\/12\/26\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-SIX 1\/3\/26\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-FIVE 12\/20\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-FOUR 12\/12\/25\n<\/div>\n
In this episode, we critique a pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-THREE 12\/5\/25\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Landscape<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-TWO 11\/26\/25\n<\/div>\n
In this episode, we critique a landscape drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY-ONE 11\/19\/25\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTY 11\/10\/25\n<\/div>\n
In this episode, we critique a pencil portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-NINE 11\/3\/25\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-EIGHT 10\/27\/25\n<\/div>\n
In this episode, we critique an oil pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-SEVEN 10\/18\/25\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-SIX 10\/11\/25\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-FIVE 10\/4\/25\n<\/div>\n
In this episode, we critique a charcoal portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-FOUR 9\/27\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-THREE 9\/20\/25\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-TWO 9\/12\/25\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY-ONE 9\/5\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED FORTY 8\/29\/25\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-NINE 8\/22\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-EIGHT 8\/15\/25\n<\/div>\n
In this episode, we critique a watercolor pencil artwork.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-SEVEN 8\/8\/25\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Landscape<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-SIX 8\/1\/25\n<\/div>\n
In this episode, we critique a landscape painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-FIVE 7\/25\/25\n<\/div>\n
In this episode, we critique a graphite portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-FOUR 7\/18\/25\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-THREE 7\/11\/25\n<\/div>\n
In this episode, we critique a pastel portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-TWO 7\/4\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY-ONE 6\/26\/25\n<\/div>\n
In this episode, we critique a graphite pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTY 6\/19\/25\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-NINE 6\/12\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-EIGHT 6\/4\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-SEVEN 5\/28\/25\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-SIX 5\/21\/25\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-FIVE 5\/14\/25\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-FOUR 5\/6\/25\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-THREE 4\/28\/25\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-TWO 4\/21\/25\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY-ONE 4\/14\/25\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWENTY 4\/7\/25\n<\/div>\n
In this episode, we critique a mixed media work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED NINETEEN 3\/31\/25\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FIVE HUNDRED EIGHTEEN 3\/24\/25\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVENTEEN 3\/15\/25\n<\/div>\n
In this episode, we critique a graphite and colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED SIXTEEN 3\/8\/25\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIFTEEN 3\/1\/25\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FIVE HUNDRED FOURTEEN 2\/21\/25\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FIVE HUNDRED THIRTEEN 2\/14\/25\n<\/div>\n
In this episode, we critique an oil pastel and colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWELVE 2\/7\/25\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED ELEVEN 1\/31\/25\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE FIVE HUNDRED TEN 1\/23\/25\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pet<\/div>\n
\n
\nEPISODE FIVE HUNDRED NINE 1\/16\/25\n<\/div>\n
In this episode, we critique a pastel pet portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED EIGHT 1\/8\/25\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Ink<\/div>\n
\n
\nEPISODE FIVE HUNDRED SEVEN 1\/1\/25\n<\/div>\n
In this episode, we critique a pastel painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Ink<\/div>\n
\n
\nEPISODE FIVE HUNDRED SIX 12\/25\/24\n<\/div>\n
In this episode, we critique an ink painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Digital<\/div>\n
\n
\nEPISODE FIVE HUNDRED FIVE 12\/18\/24\n<\/div>\n
In this episode, we critique a digital painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE FIVE HUNDRED FOUR 12\/7\/24\n<\/div>\n
In this episode, we critique a pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED THREE 12\/1\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FIVE HUNDRED TWO 11\/21\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE FIVE HUNDRED ONE 11\/14\/24\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FIVE HUNDRED 11\/7\/24\n<\/div>\n
In this episode, we critique a graphite portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-NINE 10\/31\/24\n<\/div>\n
In this episode, we critique a mixed media work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pen<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-EIGHT 10\/24\/24\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-SEVEN 10\/17\/24\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-SIX 10\/10\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-FIVE 10\/3\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"graphite<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-FOUR 9\/25\/24\n<\/div>\n
In this episode, we critique a graphite self-portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-THREE 9\/16\/24\n<\/div>\n
In this episode, we critique a mixed media work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-TWO 9\/6\/24\n<\/div>\n
In this episode, we critique an acrylic portrait painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY-ONE 8\/30\/24\n<\/div>\n
In this episode, we critique a charcoal.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINETY 8\/23\/24\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-NINE 8\/13\/24\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-EIGHT 8\/6\/24\n<\/div>\n
In this episode, we critique a graphite pet portrait and look at a reworked artwork.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-SEVEN 7\/29\/24\n<\/div>\n
In this episode, we critique a pastel portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-SIX 7\/22\/24\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-FIVE 7\/10\/24\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-FOUR 7\/3\/24\n<\/div>\n
In this episode, we critique a watercolor pencil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-THREE 6\/24\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-TWO 6\/17\/24\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY-ONE 6\/8\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTY 6\/1\/24\n<\/div>\n
In this episode, we critique a pastel drawing and look back on a revised drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-NINE 5\/25\/24\n<\/div>\n
In this episode, we critique a pastel landscape drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-EIGHT 5\/18\/24\n<\/div>\n
In this episode, we critique an oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-SEVEN 5\/11\/24\n<\/div>\n
In this episode, we critique a pastel pet portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-SIX 5\/4\/24\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-FIVE 4\/26\/24\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-FOUR 4\/19\/24\n<\/div>\n
In this episode, we critique a mixed media drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Ink<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-THREE 4\/12\/24\n<\/div>\n
In this episode, we critique an ink wash painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-TWO 4\/5\/24\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Line<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY-ONE 3\/29\/24\n<\/div>\n
In this episode, we critique a line and wash artwork.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTY 3\/22\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-NINE 3\/15\/24\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-EIGHT 3\/8\/24\n<\/div>\n
In this episode, we critique a colored pencil and pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-SEVEN 3\/1\/24\n<\/div>\n
In this episode, we critique an oil painting and share advice on editing photos of artwork.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-SIX 2\/23\/24\n<\/div>\n
In this episode, we critique a charcoal portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-FIVE 2\/16\/24\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-FOUR 2\/9\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-THREE 2\/1\/24\n<\/div>\n
In this episode, we critique a portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-TWO 1\/25\/24\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY-ONE 1\/17\/24\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTY 1\/10\/24\n<\/div>\n
In this episode, we critique a mixed media work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-NINE 1\/3\/24\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-EIGHT 12\/27\/23\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-SEVEN 12\/19\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-SIX 12\/12\/23\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-FIVE 12\/5\/23\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-FOUR 11\/28\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-THREE 11\/21\/23\n<\/div>\n
In this episode, we critique a mixed media piece.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-TWO 11\/14\/23\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY-ONE 11\/7\/23\n<\/div>\n
In this episode, we critique a portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Landscape<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTY 10\/31\/23\n<\/div>\n
In this episode, we critique a landscape painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-NINE 10\/24\/23\n<\/div>\n
In this episode, we critique a pastel landscape.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-EIGHT 10\/17\/23\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-SEVEN 10\/10\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-SIX 10\/3\/23\n<\/div>\n
In this episode, we critique a mixed media work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-FIVE 9\/26\/23\n<\/div>\n
In this episode, we critique a portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-FOUR 9\/19\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-THREE 9\/12\/23\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-TWO 9\/5\/23\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY-ONE 8\/28\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FOUR HUNDRED FORTY 8\/18\/23\n<\/div>\n
In this episode, we critique a charcoal portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-NINE 8\/11\/23\n<\/div>\n
In this episode, we critique a pastel pencil portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-EIGHT 8\/4\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-SEVEN 7\/28\/23\n<\/div>\n
In this episode, we critique a special portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-SIX 7\/21\/23\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-FIVE 7\/14\/23\n<\/div>\n
In this episode, we critique a portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-FOUR 7\/7\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-THREE 6\/30\/23\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-TWO 6\/23\/23\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY-ONE 6\/16\/23\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTY 6\/9\/23\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-NINE 6\/2\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-EIGHT 5\/26\/23\n<\/div>\n
In this episode, we critique a mixed media work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-SEVEN 5\/18\/23\n<\/div>\n
In this episode, we critique a pastel pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-SIX 5\/11\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-FIVE 5\/4\/23\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-FOUR 4\/27\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-THREE 4\/20\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-TWO 4\/13\/23\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY-ONE 4\/6\/23\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWENTY 3\/30\/23\n<\/div>\n
In this episode, we critique a pastel and colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINTEEN 3\/23\/23\n<\/div>\n
In this episode, we critique a mixed media drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHTEEN 3\/16\/23\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVENTEEN 3\/9\/23\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIXTEEN 3\/2\/23\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIFTEEN 2\/23\/23\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FOUR HUNDRED FOURTEEN 2\/16\/23\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FOUR HUNDRED THIRTEEN 2\/9\/23\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWELVE 2\/2\/23\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED ELEVEN 1\/26\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED TEN 1\/19\/23\n<\/div>\n
In this episode, we critique a colored pencil drawing and answer a question on composition.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE FOUR HUNDRED NINE 1\/12\/23\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE FOUR HUNDRED EIGHT 1\/5\/23\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED SEVEN 12\/29\/22\n<\/div>\n
In this episode, we critique a colored pencil portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED SIX 12\/22\/22\n<\/div>\n
In this episode, we critique a pastel drawing of a bird.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE FOUR HUNDRED FIVE 12\/15\/22\n<\/div>\n
In this episode, we critique a pastel pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE FOUR HUNDRED FOUR 12\/8\/22\n<\/div>\n
In this episode, we critique a portrait drawing with graphite.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE FOUR HUNDRED THREE 11\/24\/22\n<\/div>\n
In this episode, we critique a graphite portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Figure<\/div>\n
\n
\nEPISODE FOUR HUNDRED TWO 11\/17\/22\n<\/div>\n
In this episode, we critique a figure drawing with colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE FOUR HUNDRED ONE 11\/10\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE FOUR HUNDRED 11\/3\/22\n<\/div>\n
In this episode, we critique an oil pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Digital<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-NINE 10\/27\/22\n<\/div>\n
In this episode, we critique a pen and ink digital image and look at an inspiring digital painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-EIGHT 10\/20\/22\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-SEVEN 10\/13\/22\n<\/div>\n
In this episode, we critique a mixed media work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-SIX 10\/6\/22\n<\/div>\n
In this episode, we critique a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-FIVE 9\/29\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-FOUR 9\/22\/22\n<\/div>\n
In this episode, we critique a mixed media work and look back on a reworked colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"graphite<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-THREE 9\/15\/22\n<\/div>\n
In this episode, we critique a graphite portrait drawing and look back on a reworked colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-TWO 9\/8\/22\n<\/div>\n
In this episode, we critique a pastel landscape drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY-ONE 9\/1\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETY 8\/25\/22\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-NINE 8\/18\/22\n<\/div>\n
In this episode, we critique a pastel drawing and look at a charcoal drawing that was reworked.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-EIGHT 8\/11\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-SEVEN 8\/4\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-SIX 7\/28\/22\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-FIVE 7\/21\/22\n<\/div>\n
In this episode, we critique a pastel painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-FOUR 7\/14\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Ball<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-THREE 7\/7\/22\n<\/div>\n
In this episode, we critique a ball point pen drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-TWO 6\/30\/22\n<\/div>\n
In this episode, we critique a graphite drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY-ONE 6\/23\/22\n<\/div>\n
In this episode, we critique a pastel drawing and look back on an improved acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Spacescape<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTY 6\/16\/22\n<\/div>\n
In this episode, we critique a space-scape with acrylics.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-NINE 6\/9\/22\n<\/div>\n
In this episode, we critique a watercolor portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-EIGHT 6\/2\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing and answer a question on left-handed drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-SEVEN 5\/26\/22\n<\/div>\n
In this episode, we critique an acrylic landscape painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-SIX 5\/19\/22\n<\/div>\n
In this episode, we critique a pastel drawing of flowers.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-FIVE 5\/12\/22\n<\/div>\n
In this episode, we critique a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Abstract<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-FOUR 5\/5\/22\n<\/div>\n
In this episode, we critique an abstract painting and look back on improvements made on a previously submitted artwork.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"oil<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-THREE 4\/28\/22\n<\/div>\n
In this episode, we critique a water-mixable oil painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-TWO 4\/20\/22\n<\/div>\n
In this episode, we critique a pastel drawing of a horse.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"acrylic<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY-ONE 4\/14\/22\n<\/div>\n
In this episode, we critique an acrylic painting of a landscape.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTY 4\/7\/22\n<\/div>\n
In this episode, we critique a pastel drawing of a bird.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-NINE 3\/31\/22\n<\/div>\n
In this episode, we critique a pastel drawing of a dog.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-EIGHT 3\/24\/22\n<\/div>\n
In this episode, we critique an oil pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-SEVEN 3\/17\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing and answer a question on the rule of thirds.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-SIX 3\/10\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing and look back at an improved portrait painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-FIVE 3\/3\/22\n<\/div>\n
In this episode, we critique an acrylic landscape painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-FOUR 2\/24\/22\n<\/div>\n
In this episode, we critique a pastel landscape drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-THREE 2\/17\/22\n<\/div>\n
In this episode, we critique a pastel drawing of a pet portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-TWO 2\/10\/22\n<\/div>\n
In this episode, we critique a pastel drawing and discuss disposing of oily rags.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY-ONE 2\/3\/22\n<\/div>\n
In this episode, we critique a colored pencil and pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTY 1\/27\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-NINE 1\/20\/22\n<\/div>\n
In this episode, we critique an oil pastel portrait drawing by Kate.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-EIGHT 1\/13\/22\n<\/div>\n
In this episode, we critique a watercolor pencil drawing\/painting by Doris.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-SEVEN 1\/6\/22\n<\/div>\n
In this episode, we critique a colored pencil drawing by Rebecca.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-SIX 12\/30\/21\n<\/div>\n
In this episode, we critique a pastel drawing by Eva.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-FIVE 12\/23\/21\n<\/div>\n
In this episode, we critique an oil painting by Ginny.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"watercolor<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-FOUR 12\/16\/21\n<\/div>\n
In this episode, we critique a watercolor painting by Teresa.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"graphite<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-THREE 12\/9\/21\n<\/div>\n
In this episode, we critique a graphite drawing by Michael.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"tinted<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-TWO 12\/2\/21\n<\/div>\n
In this episode, we critique a tinted charcoal drawing and answer a question on photographing large artworks.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"ball<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY-ONE 11\/25\/21\n<\/div>\n
In this episode, we critique a ball point pen drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTY 11\/18\/21\n<\/div>\n
In this episode, we critique a pastel and pastel pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"painting<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-NINE 11\/11\/21\n<\/div>\n
In this episode, we critique a painting on canvas.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"portrait<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-EIGHT 11\/4\/21\n<\/div>\n
In this episode, we critique a graphite portrait on textured paper.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"colored<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-SEVEN 10\/28\/21\n<\/div>\n
In this episode, we critique a PanPastel and colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"pencil<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-SIX 10\/21\/21\n<\/div>\n
In this episode, we critique a graphite pencil drawing on smooth Bristol paper.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"charcoal<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-FIVE 10\/14\/21\n<\/div>\n
In this episode, we critique a charcoal drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-FOUR 10\/7\/21\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"PanPastel<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-THREE 9\/30\/21\n<\/div>\n
In this episode, we critique a PanPastel and colored pencil drawing on drafting film.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"PanPastel<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-TWO 9\/23\/21\n<\/div>\n
In this episode, we critique a pastel and PanPastel drawing on PastelMat paper.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY-ONE 9\/16\/21\n<\/div>\n
In this episode, we critique a pencil drawing and answer question on leaving backgrounds unfinished.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED FORTY 9\/9\/21\n<\/div>\n
In this episode, we critique a fantastic colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-NINE 9\/2\/21\n<\/div>\n
In this episode, we critique a wonderful pastel drawing of a small dog.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-EIGHT 8\/26\/21\n<\/div>\n
In this episode, we critique an oil painting of a still life.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-SEVEN 8\/19\/21\n<\/div>\n
In this episode, we critique a colored pencil drawing and answer a question on composition.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-SIX 8\/12\/21\n<\/div>\n
In this episode, we critique a colored pencil drawing and answer a question on portfolio prep.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-FIVE 8\/5\/21\n<\/div>\n
In this episode, we critique a charcoal montage drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-FOUR 7\/29\/21\n<\/div>\n
In this episode, we critique a pen and ink drawing and answer a question on cleaning brushes used for water mixable oils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-THREE 7\/22\/21\n<\/div>\n
In this episode, we critique a pastel pencil drawing on PastelMat paper.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-TWO 7\/15\/21\n<\/div>\n
In this episode, we critique a colored pencil drawing and answer a question on making skies more realistic with colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY-ONE 7\/8\/21\n<\/div>\n
In this episode, we critique a pastel portrait and answer a question on positive and negative space.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTY 7\/1\/21\n<\/div>\n
In this episode, we critique a graphite drawing of a vulture.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-NINE 6\/24\/21\n<\/div>\n
In this episode, we critique a mixed media work of a dog in a field.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-EIGHT 6\/17\/21\n<\/div>\n
In this episode, we critique a watercolor painting of a still life.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-SEVEN 6\/10\/21\n<\/div>\n
In this episode, we critique a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Line<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-SIX 6\/2\/21\n<\/div>\n
In this episode, we critique a line and wash image.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-FIVE 5\/27\/21\n<\/div>\n
In this episode, we critique a colored pencil drawing and answer a question on composing a drawing with five portrait subjects.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-FOUR 5\/20\/21\n<\/div>\n
In this episode, we critique an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-THREE 5\/13\/21\n<\/div>\n
In this episode, we critique a fantastic pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-TWO 5\/5\/21\n<\/div>\n
In this episode, we critique a wonderful colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY-ONE 4\/28\/21\n<\/div>\n
In this episode, we critique a pastel drawing and answer a question on working with larger formats.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE THREE HUNDRED TWENTY 4\/21\/21\n<\/div>\n
In this episode, we critique a pen and ink drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED NINETEEN 4\/14\/21\n<\/div>\n
In this episode, we critique a colored pencil drawing on textured paper.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHTEEN 4\/8\/21\n<\/div>\n
A critique of a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVENTEEN 4\/1\/21\n<\/div>\n
A critique of a watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE THREE HUNDRED SIXTEEN 3\/25\/21\n<\/div>\n
A critique of an acrylic painting and using canvas paper with colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE THREE HUNDRED FIFTEEN 3\/18\/21\n<\/div>\n
A critique of a pencil portrait and art from the young and \"not so young\".\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED FOURTEEN 3\/11\/21\n<\/div>\n
A critique of a colored pencil landscape drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE THREE HUNDRED THIRTEEN 3\/4\/21\n<\/div>\n
A critique of a pencil drawing and bleeding inks and watercolor.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE THREE HUNDRED TWELVE 2\/25\/21\n<\/div>\n
A critique of an acrylic painting and specializing yourself as an artist.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE THREE HUNDRED ELEVEN 2\/18\/21\n<\/div>\n
A critique of a pencil portrait drawing and is it okay to use art from tutorials in art shows.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED TEN 2\/11\/21\n<\/div>\n
A critique of a colored pencil drawing and glistening snow.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED NINE 2\/4\/21\n<\/div>\n
A critique of a pastel pet portrait and heating colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED EIGHT 1\/28\/21\n<\/div>\n
A critique of a pastel painting and ironing watercolor paintings.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE THREE HUNDRED SEVEN 1\/21\/21\n<\/div>\n
A critique of a drawing and a question on working with lots of mediums and larger surfaces.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED SIX 1\/14\/21\n<\/div>\n
A critique of a colored pencil drawing and using solvent with colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE THREE HUNDRED FIVE 1\/7\/21\n<\/div>\n
A critique of an oil painting and using complementary colors.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED FOUR 12\/30\/20\n<\/div>\n
A critique of a revised pastel work and advice for your art\/life.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pet<\/div>\n
\n
\nEPISODE THREE HUNDRED THREE 12\/24\/20\n<\/div>\n
A critique of a pet portrait drawing and fighting diagonals.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pet<\/div>\n
\n
\nEPISODE THREE HUNDRED TWO 12\/17\/20\n<\/div>\n
A critique of a pet portrait painting and choosing a composition from a photo reference.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE THREE HUNDRED ONE 12\/10\/20\n<\/div>\n
A critique of a colored pencil drawing and filling in the tooth of the paper with colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE THREE HUNDRED 12\/3\/20\n<\/div>\n
A critique of a pastel work and using complementary colors in your work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Painting<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-NINE 11\/26\/20\n<\/div>\n
A critique of an oil painting and prepping your work to upload online.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Painting<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-EIGHT 11\/19\/20\n<\/div>\n
A critique of a painting and a question on choosing colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-SEVEN 11\/12\/20\n<\/div>\n
A critique of a colored pencil and PanPastel work and a question on moving on to colored mediums.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-SIX 11\/5\/20\n<\/div>\n
A critique of a pastel work and questions on using black and whether or not you need an underpainting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-FIVE 10\/29\/20\n<\/div>\n
A critique of a mixed media work and a question on choosing colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-FOUR 10\/21\/20\n<\/div>\n
A critique of a colored pencil drawing and a question on erasing colored pencils on a border.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-THREE 10\/15\/20\n<\/div>\n
A critique of a watercolor painting and a question on blending pastels.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-TWO 10\/8\/20\n<\/div>\n
A critique of a colored pencil drawing and a question on choosing watercolors.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY-ONE 10\/1\/20\n<\/div>\n
A critique of a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETY 9\/24\/20\n<\/div>\n
A critique of a colored pencil drawing and brushes for ink wash.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-NINE 9\/17\/20\n<\/div>\n
A critique of a colored pencil drawing and fixing oil pastels.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-EIGHT 9\/10\/20\n<\/div>\n
A critique of an acrylic painting and art submitted by a young, new artist.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-SEVEN 9\/3\/20\n<\/div>\n
A critique of a pastel drawing and a question on including graffiti art from reference photos in your art.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-SIX 8\/27\/20\n<\/div>\n
A critique of a colored pencil drawing and a question on addressing \"white\" areas with colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-FIVE 8\/20\/20\n<\/div>\n
A critique of an oil pastel drawing and a question on mixing skin tones.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-FOUR 8\/13\/20\n<\/div>\n
A critique of a pen and ink drawing and a question on layering soft pastels.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-THREE 8\/6\/20\n<\/div>\n
A critique of an oil painting and a question on creating texture with graphite.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-TWO 7\/30\/20\n<\/div>\n
A critique of an image created with pen and ink and watercolor pencils and a question on determining the picture plane.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY-ONE 7\/23\/20\n<\/div>\n
A critique of an oil pastel drawing and a question on drawing hair with colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTY 7\/16\/20\n<\/div>\n
A critique of an oil pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-NINE 7\/9\/20\n<\/div>\n
A critique of a colored pencil drawing and the quality of your sketchbook drawings.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-EIGHT 7\/2\/20\n<\/div>\n
A critique of a pastel drawing and working with low resolution photos.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-SEVEN 6\/25\/20\n<\/div>\n
A critique of a pastel drawing and \"graphite shine\".\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-SIX 6\/18\/20\n<\/div>\n
A critique of a colored pencil drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-FIVE 6\/11\/20\n<\/div>\n
A critique of a graphite drawing and \"slowing down\" with your approach to drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-FOUR 6\/4\/20\n<\/div>\n
A critique of a colored pencil and the difference between fixative and sealant.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-THREE 5\/28\/20\n<\/div>\n
A critique of a portrait drawing and using fixative on pastel drawings.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-TWO 5\/21\/20\n<\/div>\n
A critique of a pen and ink drawing and blending oil pastels.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY-ONE 5\/14\/20\n<\/div>\n
A critique of an oil painting and a question on glazing with acrylics.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTY 5\/7\/20\n<\/div>\n
A critique of an acrylic painting and a question on composition.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pet<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-NINE 4\/30\/20\n<\/div>\n
A critique of a pastel pet portrait and a question on a strong light source in a pastel drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Still<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-EIGHT 4\/23\/20\n<\/div>\n
A critique of a still life drawing and a question on a watercolor painting in progress.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-SEVEN 4\/16\/20\n<\/div>\n
A critique of a watercolor painting and layering colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-SIX 4\/8\/20\n<\/div>\n
A critique of a watercolor painting and finding good reference photos.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-FIVE 4\/2\/20\n<\/div>\n
A critique of an acrylic painting and step by step tutorials.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-FOUR 3\/26\/20\n<\/div>\n
A critique of a portrait drawing and becoming a professional artist.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-THREE 3\/19\/20\n<\/div>\n
A critique of a pastel landscape and where to start if you're brand new to art.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-TWO 3\/12\/20\n<\/div>\n
A critique of a mixed media drawing and different styles of art.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY-ONE 3\/5\/20\n<\/div>\n
A critique of an interesting pen and ink drawing and using \"crutches\" in your art.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTY 2\/27\/20\n<\/div>\n
A critique of a portrait drawing and photographing your art with a cell phone.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-NINE 2\/20\/20\n<\/div>\n
A critique of a charcoal drawing and using acrylics with pastels.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-EIGHT 2\/13\/20\n<\/div>\n
A critique of a pastel drawing and using black gesso.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-SEVEN 2\/6\/20\n<\/div>\n
A critique of a watercolor painting and surfaces for watercolor painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-SIX 1\/30\/20\n<\/div>\n
A critique of a colored pencil drawing and a look at an improved painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-FIVE 1\/23\/20\n<\/div>\n
A critique of a charcoal drawing and throwing art away.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-FOUR 1\/16\/20\n<\/div>\n
A critique of a colored pencil drawing and \"artist's block\".\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Line<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-THREE 1\/9\/20\n<\/div>\n
A critique of a line and wash image and where to start.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-TWO 1\/2\/20\n<\/div>\n
A critique of a pastel drawing and a question on acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY-ONE 12\/19\/19 HOLIDAY SPECIAL\n<\/div>\n
A critique of a colored pencil drawing and choosing acrylic colors.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTY 12\/12\/19\n<\/div>\n
A critique of a colored pencil drawing and adding water to pastels.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-NINE 12\/5\/19\n<\/div>\n
A critique of a pastel landscape drawing and sharpening pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-EIGHT 11\/28\/19\n<\/div>\n
A critique of a pastel landscape drawing and brushes for water mixable oils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-SEVEN 11\/21\/19\n<\/div>\n
A critique of a pen and ink drawing and a book on color theory.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pencil<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-SIX 11\/14\/19\n<\/div>\n
A critique of a pencil drawing and how to know when you're finished.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-FIVE 11\/7\/19\n<\/div>\n
A critique of a colored pencil drawing and choosing brushes.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-FOUR 10\/31\/19\n<\/div>\n
HALLOWEEN EDITION - A critique of a pastel drawing and removing pastel dust.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-THREE 10\/24\/19\n<\/div>\n
A critique of a mixed media work and a question on a photo reference.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-TWO 10\/16\/19\n<\/div>\n
A critique of a pastel drawing and a question on a mysterious paper.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Landscape<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY-ONE 10\/9\/19\n<\/div>\n
A critique of a pastel landscape and a question on studio lighting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Landscape<\/div>\n
\n
\nEPISODE TWO HUNDRED FORTY 10\/2\/19\n<\/div>\n
A critique of an oil painting and a question on what makes a professional artist.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-NINE 9\/25\/19\n<\/div>\n
A critique of a colored pencil drawing and a question on a work in progress.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-EIGHT 9\/18\/19\n<\/div>\n
A critique of an acrylic painting and a question on working from photos.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-SEVEN 9\/11\/19\n<\/div>\n
A critique of a portrait drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-SIX 9\/4\/19\n<\/div>\n
A critique of a pen and ink drawing and a question on organizing colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-FIVE 8\/28\/19\n<\/div>\n
A critique of a pastel landscape and a question on drawing with a grid.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-FOUR 8\/21\/19\n<\/div>\n
A critique of a portrait and a question on mechanical pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-THREE 8\/14\/19\n<\/div>\n
A critique of a pastel landscape.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-TWO 8\/7\/19\n<\/div>\n
A critique of an acrylic painting and a question on selling art online.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY-ONE 7\/31\/19\n<\/div>\n
A critique of a charcoal portrait and a question on sealing wood.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Digital<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTY 7\/24\/19\n<\/div>\n
A critique of a digital painting and a question on papers for colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-NINE 7\/17\/19\n<\/div>\n
A critique of a pastel landscape.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-EIGHT 7\/10\/19\n<\/div>\n
A critique of a pastel landscape and a question on buying art supplies.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-SEVEN 7\/3\/19\n<\/div>\n
A critique of three pastel drawings.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-SIX 6\/26\/19\n<\/div>\n
A critique of an acrylic painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-FIVE 6\/19\/19\n<\/div>\n
A critique of a colored pencil drawing and a question on galleries and professional vs. amateur artists.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-FOUR 6\/12\/19\n<\/div>\n
A critique of a portrait painting and a question on toned paper.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-THREE 6\/5\/19\n<\/div>\n
A critique of a creative portrait painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pet<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-TWO 5\/29\/19\n<\/div>\n
A critique of a pet portrait and a question on watercolor applications.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY-ONE 5\/22\/19\n<\/div>\n
A critique of a portrait painting and drawing on a flat surface.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED TWENTY 5\/15\/19\n<\/div>\n
A critique of an acrylic portrait painting and Polychromos vs. Prismacolor.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED NINETEEN 5\/8\/19\n<\/div>\n
A critique of a pastel drawing and getting better at sketching.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHTEEN 5\/1\/19\n<\/div>\n
A critique of a watercolor painting and getting better at art.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVENTEEN 4\/24\/19\n<\/div>\n
A critique of a pen and ink drawing and making videos.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED SIXTEEN 4\/17\/19\n<\/div>\n
A critique of a pastel drawing and help with composition.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Gouache<\/div>\n
\n
\nEPISODE TWO HUNDRED FIFTEEN 4\/10\/19\n<\/div>\n
A critique of a gouache painting and acrylic mediums.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE TWO HUNDRED FOURTEEN 4\/3\/19\n<\/div>\n
A critique of an oil painting and a quick studio tour.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE TWO HUNDRED THIRTEEN 3\/27\/19\n<\/div>\n
A critique of a mixed media work and finding time for drawing practice.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
\nEPISODE TWO HUNDRED TWELVE 3\/20\/19\n<\/div>\n
A critique of an oil painting and linear perspective.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED ELEVEN 3\/13\/19\n<\/div>\n
A critique of a pastel portrait and drawing ellipses.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED TEN 3\/6\/19\n<\/div>\n
A critique of a colored pencil drawing and creating art from tutorials.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE TWO HUNDRED NINE 2\/27\/19\n<\/div>\n
A critique of a graphite portrait and the legalities of using other artworks and photos.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED EIGHT 2\/20\/19\n<\/div>\n
A critique of a pastel landscape and tips on making your paintings more realistic.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED SEVEN 2\/13\/19\n<\/div>\n
A critique of a pastel pet portrait.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED SIX 2\/6\/19\n<\/div>\n
A critique of a colored pencil drawing and painting over acrylic gloss medium.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED FIVE 1\/30\/19\n<\/div>\n
A critique of a colored pencil drawing and editing your art in Photoshop.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED FOUR 1\/23\/19\n<\/div>\n
A critique of a pastel drawing and drawing fur with pen and ink.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE TWO HUNDRED THREE 1\/16\/19\n<\/div>\n
A critique of a colored pencil drawing and alternatives to artist websites.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE TWO HUNDRED TWO 1\/9\/19\n<\/div>\n
A critique of an acrylic painting and should you frame art for commission clients.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE TWO HUNDRED ONE 1\/2\/19\n<\/div>\n
A critique of a watercolor and ink portrait and New Year's resolutions.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE TWO HUNDRED 12\/26\/18\n<\/div>\n
A critique of a pastel landscape and buying watercolor pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-NINE 12\/19\/18\n<\/div>\n
A critique of a portrait drawing and getting started with digital painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-EIGHT 12\/12\/18\n<\/div>\n
A critique of a graphite landscape and a mechanical pencil for drawing.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-SEVEN 12\/5\/18\n<\/div>\n
A critique of a pastel portrait and burnishing colored pencils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-SIX 11\/28\/18\n<\/div>\n
A critique of a watercolor painting and \"open\" acrylics.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-FIVE 11\/21\/18\n<\/div>\n
A critique of a colored pencil portrait and should you use a color scheme in your work.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-FOUR 11\/14\/18\n<\/div>\n
A critique of a pastel pet portrait and stippling vs. Pointillism.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-THREE 11\/7\/18\n<\/div>\n
A critique of a colored pencil drawing and choosing the right medium for the subject.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-TWO 10\/31\/18\n<\/div>\n
A critique of a mixed media landscape and art school vs. traditional college.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY-ONE 10\/24\/18\n<\/div>\n
A critique of a pastel drawing and advice for building a portfolio website.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE ONE HUNDRED NINETY 10\/17\/18\n<\/div>\n
A critique of a colored pencil landscape and using gouache for highlights.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-NINE 10\/10\/18\n<\/div>\n
A critique of a pastel landscape and learning digital painting.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-EIGHT 10\/3\/18\n<\/div>\n
A critique of an acrylic painting and loosening up with your drawings.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-SEVEN 9\/26\/18\n<\/div>\n
A critique of a colored pencil drawing and working on black surfaces.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-SIX 9\/19\/18\n<\/div>\n
A critique of a colored pencil drawing and should you use medium with water mixable oils.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-FIVE 9\/12\/18\n<\/div>\n
A critique of a colored pencil drawing and creating a grid in Photoshop.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-FOUR 9\/5\/18\n<\/div>\n
A critique of a pastel pencil drawing and what colors to make your shadows and highlights.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-THREE 8\/29\/18\n<\/div>\n
A critique of a colored pencil drawing and investing in higher quality materials.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
\nEPISODE ONE HUNDRED EIGHTY-TWO 8\/22\/18\n<\/div>\n
A critique of an acrylic painting and drawing after losing the feeling of touch.\n<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED EIGHTY-ONE 8\/15\/18<\/div>\n
A critique of a colored pencil portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED EIGHTY 8\/8\/18<\/div>\n
A critique of a graphite drawing and blocking in color with pastels.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Abstract<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-NINE 8\/1\/18<\/div>\n
A critique of an abstract pastel drawing and watercolor papers.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-EIGHT 7\/25\/18<\/div>\n
A critique of a pastel drawing and storing\/sending pastel drawings.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-SEVEN 7\/18\/18<\/div>\n
A critique of a pastel landscape and choosing paper colors for pastels.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-SIX 7\/11\/18<\/div>\n
A critique of an acrylic painting and cleaning brushes while painting with oils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-FIVE 7\/4\/18<\/div>\n
A critique of a portrait drawing and glazing with acrylics.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-FOUR 6\/27\/18<\/div>\n
A critique of an acrylic painting and a question on watercolor brush sizes.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-THREE 6\/20\/18<\/div>\n
A critique of a pastel landscape and layering pastels.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-TWO 6\/13\/18<\/div>\n
A critique of a pastel drawing and a new surface for pastels.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY-ONE 6\/6\/18<\/div>\n
A critique of a charcoal drawing and marketing your art.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTY 5\/30\/18<\/div>\n
A critique of a watercolor painting and placement of the horizon line in a composition.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-NINE 5\/23\/18<\/div>\n
A critique of an acrylic painting and preparing watercolor paper.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-EIGHT 5\/16\/18<\/div>\n
A critique of a graphite landscape and setting up a still life.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-SIX 5\/8\/18<\/div>\n
A critique of an pastel landscape and burnishing vs. blending stumps.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-SIX 5\/1\/18<\/div>\n
A critique of a pastel landscape and pastel materials for beginners.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-FIVE 4\/24\/18<\/div>\n
A critique of a pastel still life and planning an art curriculum.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-FOUR 4\/17\/18<\/div>\n
A critique of an acrylic painting and a question on drawing darker lines initially.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-THREE 4\/11\/18<\/div>\n
A critique of a pastel portrait and capturing specific textures.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-TWO 4\/4\/18<\/div>\n
A critique of a pastel drawing and a question on accuracy in figure drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY-ONE 3\/28\/18<\/div>\n
A critique of a colored pencil drawing and a question on layering colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
EPISODE ONE HUNDRED SIXTY 3\/21\/18<\/div>\n
A critique of a pen and ink drawing and matching the subject with the medium.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-NINE 3\/14\/18<\/div>\n
A critique of a pastel landscape and sharpening blending stumps.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-EIGHT 3\/7\/18<\/div>\n
A critique of a colored pencil drawing and using projectors as drawing aids.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-SIX 2\/21\/18<\/div>\n
A critique of a pastel landscape and pastel pencils vs. colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-FOUR 2\/14\/18<\/div>\n
A Critique of an Acrylic Painting and Contrast in References.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Drawing<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-FOUR 2\/7\/18<\/div>\n
A drawing critique and using solvents with colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-THREE 1\/31\/18<\/div>\n
A critique of a colored pencil drawing and combining colored pencils with watercolor.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-TWO 1\/24\/18<\/div>\n
A critique of a pastel drawing and choosing background colors.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY-ONE 1\/17\/18<\/div>\n
A critique of a graphite drawing and combining colored pencils with drawing pens.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
EPISODE ONE HUNDRED FIFTY 1\/10\/18<\/div>\n
A critique of a portrait drawing and drawing from imagination.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-NINE 1\/3\/18<\/div>\n
A critique of a pastel portrait and surfaces for pastel drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-EIGHT 12\/27\/17<\/div>\n
A critique of a pastel landscape of a winter scene.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-SEVEN 12\/20\/17<\/div>\n
A critique of an oil painting and using gesso with acrylics.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-SIX 12\/13\/17<\/div>\n
A critique of a watercolor and graphite work and \"under-drawing\" with graphite.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-FIVE 12\/6\/17<\/div>\n
A critique of a colored pencil drawing and capturing the soul in a portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-FOUR 11\/29\/17<\/div>\n
A critique of an oil pastel drawing and medium disease.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-THREE 11\/22\/17<\/div>\n
A critique of an acrylic painting and storing your drawings.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-TWO 11\/15\/17<\/div>\n
A critique of a pastel drawing and a question on originality when working from tutorials.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED FORTY-ONE 11\/8\/17<\/div>\n
A critique of an acrylic painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED FORTY 11\/1\/17<\/div>\n
A critique of a pastel landscape and a question on watercolor and pen and ink drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-NINE 10\/25\/17<\/div>\n
A critique of an acrylic painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-EIGHT 10\/18\/17<\/div>\n
A critique of an acrylic painting and when it's time to move on to a new medium.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-SEVEN 10\/11\/17<\/div>\n
A critique of a graphite drawing and the importance of the horizon line in linear perspective.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-SIX 10\/4\/17<\/div>\n
A critique of an acrylic painting and why pastel papers are toned.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-FIVE 9\/27\/17<\/div>\n
A critique of a colored pencil drawing and preparing photo references.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-FOUR 9\/20\/17<\/div>\n
A critique of a pastel landscape and a quote on starting over.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-THREE 9\/13\/17<\/div>\n
A critique of a graphite drawing and should you stretch your own canvas.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-TWO 9\/6\/17<\/div>\n
A critique of an oil pastel drawing and using gesso on paper.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Portrait<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY-ONE 8\/30\/17<\/div>\n
A critique of a portrait drawing and matching colors with pastels.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED THIRTY 8\/23\/17<\/div>\n
A critique of a pastel drawing and using masking fluid with colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-NINE 8\/16\/17<\/div>\n
A critique of a graphite portrait drawing and fighting perfectionism.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-EIGHT 8\/9\/17<\/div>\n
A critique of a colored pencil drawing and blending pastels with your fingers.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-SEVEN 8\/2\/17<\/div>\n
A critique of a graphite drawing and problems with a colorless blender.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Critique<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-SIX 7\/26\/17<\/div>\n
A critique of a graphite portrait and is it OK to copy \"Master\" paintings.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-FIVE 7\/19\/17<\/div>\n
A critique of a pastel still life and blending stumps vs. tortillons.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Critique<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-FOUR 7\/12\/17<\/div>\n
A critique of a colored pencil drawing and which colored pencils are the \"best\".<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-THREE 7\/5\/17<\/div>\n
A critique of a graphite pencil drawing and how to start selling your art.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Critique<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-TWO 6\/28\/17<\/div>\n
A critique of a pastel pencil drawing and the problem with the grid technique.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"White<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY-ONE 6\/21\/17<\/div>\n
A critique of several white charcoal drawings and how to make your oil paintings brighter.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Critique<\/div>\n
\n
EPISODE ONE HUNDRED TWENTY 6\/14\/17<\/div>\n
A critique of a pastel drawing and is art school really necessary for success?<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED NINETEEN 6\/7\/17<\/div>\n
A critique of a graphite drawing and matching colors with colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED EIGHTEEN 5\/31\/17<\/div>\n
A critique of a pastel drawing and why you should learn how to draw if you want to learn how to paint.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED SEVENTEEN 5\/24\/17<\/div>\n
A critique of a graphite portrait and why you should embrace your artistic style.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
EPISODE ONE HUNDRED SIXTEEN 5\/17\/17<\/div>\n
A critique of a watercolor painting and how much time you should be spending on a drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE ONE HUNDRED FIFTEEN 5\/10\/17<\/div>\n
A critique of an oil painting and how to create contrast with colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED FOURTEEN 5\/3\/17<\/div>\n
A critique of a colored pencil drawing and a question on making white lines against a dark background with colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED THIRTEEN 4\/26\/17<\/div>\n
A critique of a pastel landscape and a question on pastel pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE ONE HUNDRED TWELVE 4\/19\/17<\/div>\n
A critique of an oil pastel drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Digital<\/div>\n
\n
EPISODE ONE HUNDRED ELEVEN 4\/12\/17<\/div>\n
A critique of a digital painting and a question on warm and cool reds.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Artistic<\/div>\n
\n
EPISODE ONE HUNDRED TEN 4\/5\/17<\/div>\n
A critique of a graphite portrait drawing and finding motivation.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
EPISODE ONE HUNDRED NINE 3\/29\/17<\/div>\n
A critique of a watercolor painting and a question on inconsistent use of media.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Make<\/div>\n
\n
EPISODE ONE HUNDRED EIGHT 3\/22\/17<\/div>\n
A critique of a graphite drawing and making your drawings look less cartoonish.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE ONE HUNDRED SEVEN 3\/15\/17<\/div>\n
A critique of a graphite drawing and a question on pastel pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Charcoal<\/div>\n
\n
EPISODE ONE HUNDRED SIX 3\/8\/17<\/div>\n
A critique of a charcoal portrait and desaturating watercolors.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED FIVE 3\/1\/17<\/div>\n
A critique of a colored pencil drawing and cast shadows for organic forms.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Water-Mixable<\/div>\n
\n
EPISODE ONE HUNDRED FOUR 2\/22\/17<\/div>\n
A critique of an \"in-progress\" oil painting and a question on water-mixable oil paints.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE ONE HUNDRED THREE 2\/15\/17<\/div>\n
A critique of a colored pencil drawing and drawing eye glasses.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"My<\/div>\n
\n
EPISODE ONE HUNDRED TWO 2\/8\/17<\/div>\n
A critique of a mixed media work and a question on canvas purchases and construction.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE ONE HUNDRED ONE 2\/1\/17<\/div>\n
A critique of a pastel landscape and prepping art for portfolios.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"My<\/div>\n
\n
EPISODE ONE HUNDRED 1\/25\/17<\/div>\n
SPECIAL - My artistic journey.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE NINETY-NINE 1\/18\/17<\/div>\n
A critique of a pastel landscape and a question on tracing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE NINETY-EIGHT 1\/11\/17<\/div>\n
A critique of an acrylic underpainting and a question on paints for murals.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE NINETY-SEVEN 1\/4\/17<\/div>\n
A critique of a colored pencil portrait and a question on fixing colored pencil mistakes.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE NINETY-SIX 12\/28\/16<\/div>\n
A critique of an acrylic painting and a question on the quality of colored pencils.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Mixed<\/div>\n
\n
EPISODE NINETY-FIVE 12\/21\/16<\/div>\n
A critique of a mixed media work and a question on when to stop.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE NINETY-FOUR 12\/14\/16<\/div>\n
A critique of an acrylic painting and a question on using gesso.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE NINETY-THREE 12\/7\/16<\/div>\n
A critique of a graphite drawing and questions on sighting and charcoal.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE NINETY-TWO 11\/29\/16<\/div>\n
A critique of an oil painting and a question on eradicating specks of material on a drawing surface.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE NINETY-ONE 11\/23\/16<\/div>\n
A critique of a colored pencil drawing and tips for adding vibrancy.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE NINETY 11\/16\/16<\/div>\n
A critique of a pastel landscape and a question on brush handles.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE EIGHTY-EIGHT 11\/9\/16<\/div>\n
A critique of a pastel landscape and a question on tone vs. value.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE EIGHTY-EIGHT 11\/2\/16<\/div>\n
A critique of a graphite still life and a question on handling water reflections in a drawing or painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Oil<\/div>\n
\n
EPISODE EIGHTY-SEVEN 10\/26\/16<\/div>\n
A critique of an oil painting and lighting your workstation.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE EIGHTY-SIX 10\/19\/16<\/div>\n
A critique of a graphite portrait and questions on uploading art, portfolios, and warm vs. cool gray.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE EIGHTY-FIVE 10\/12\/16<\/div>\n
A critique of a colored pencil drawing and a question on textured papers.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pen<\/div>\n
\n
EPISODE EIGHTY-FOUR 10\/5\/16<\/div>\n
A critique of a pen and ink figure drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
EPISODE EIGHTY-THREE 9\/28\/16<\/div>\n
A critique of a watercolor landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE EIGHTY-TWO 9\/21\/16<\/div>\n
Indenting paper for textural effects and a critique of a wildlife drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE EIGHTY-ONE 9\/14\/16<\/div>\n
A critique of a pastel landscape depicting fog and the best subjects for improving drawing skills quickly.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE EIGHTY 9\/7\/16<\/div>\n
A critique of a pastel pet portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE SEVENTY-NINE 8\/30\/16<\/div>\n
How long does it take to get \"good\" at art and a critique of a pastel still life.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Naive<\/div>\n
\n
EPISODE SEVENTY-EIGHT 8\/24\/16<\/div>\n
Elements in \"Naive Art\" and a critique of a pastel landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE SEVENTY-SEVEN 8\/17\/16<\/div>\n
Dark values with colored pencils and a critique of a pastel landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Lighting<\/div>\n
\n
EPISODE SEVENTY-SIX 8\/10\/16<\/div>\n
Lighting your work station and a critique of a graphite drawing.<\/div>\n<\/div>\n<\/div>\n

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\"Mixed<\/div>\n
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EPISODE SEVENTY-FIVE 8\/3\/16<\/div>\n
A critique of a mixed media work.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"How<\/div>\n
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EPISODE SEVENTY-FOUR 7\/27\/16<\/div>\n
Teaching art criticism and a critique of a watercolor landscape.<\/div>\n<\/div>\n<\/div>\n

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\"Watercolor<\/div>\n
\n
EPISODE SEVENTY-THREE 7\/13\/16<\/div>\n
A critique of a watercolor portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Watercolor<\/div>\n
\n
EPISODE SEVENTY-TWO 7\/13\/16<\/div>\n
A question on choosing brushes and a critique of a watercolor painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
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\"Pen<\/div>\n
\n
EPISODE SEVENTY-ONE 7\/6\/16<\/div>\n
A question on isolating values in your reference and a critique of a pen and ink landscape.<\/div>\n<\/div>\n<\/div>\n

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<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE SEVENTY 6\/29\/16<\/div>\n
A question on comparing photo references for critique and a critique of a graphite portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"A<\/div>\n
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EPISODE SIXTY-NINE 6\/22\/16<\/div>\n
A critique of a watercolor and ink painting.<\/div>\n<\/div>\n<\/div>\n

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<\/p>\n
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\"Charcoal<\/div>\n
\n
EPISODE SIXTY-EIGHT 6\/15\/16<\/div>\n
An upcoming live event and a critique of a charcoal and graphite drawing.<\/div>\n<\/div>\n<\/div>\n

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\n
\"A<\/div>\n
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EPISODE SIXTY-SEVEN 6\/8\/16<\/div>\n
A question on using celebrity photos as reference and a critique of a graphite portrait.<\/div>\n<\/div>\n<\/div>\n

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<\/p>\n
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\"Graphite<\/div>\n
\n
EPISODE SIXTY-SIX 6\/1\/16<\/div>\n
A question on downloading videos and a critique of a graphite portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\"Colored<\/div>\n
\n
EPISODE SIXTY-FIVE 5\/25\/16<\/div>\n
A critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Graphite<\/div>\n
\n
EPISODE SIXTY-FOUR 5\/18\/16<\/div>\n
Brushes for water-mixable oils and a critique of a graphite portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Colored<\/div>\n
\n
EPISODE SIXTY-THREE 5\/11\/16<\/div>\n
A question on college entrance exams and a critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Before<\/div>\n
\n
EPISODE SIXTY-TWO 5\/4\/16<\/div>\n
Strategies for composition and a critique of a \"before and after\".<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE SIXTY-ONE 4\/27\/16<\/div>\n
A critique of an acrylic and ink landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Landscape<\/div>\n
\n
EPISODE SIXTY 4\/20\/16<\/div>\n
How to clean brushes used for ink wash and a critique of watercolor and pastel landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Acrylic<\/div>\n
\n
EPISODE FIFTY-NINE 4\/14\/16<\/div>\n
A critique of an acrylic portrait painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\"membersminute32316\"<\/div>\n
\n
EPISODE FIFTY-EIGHT 4\/6\/16<\/div>\n
Oil pastels vs. oil sticks and a critique of a watercolor and colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"Pastel<\/div>\n
\n
EPISODE FIFTY-SEVEN 3\/30\/16<\/div>\n
Inktense vs. watercolor pencils and a critique of a pastel drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\n
\"membersminute32316\"<\/div>\n
\n
EPISODE FIFTY-SIX 3\/23\/16<\/div>\n
Making time for your art and a critique of an acrylic landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\n
\"membersminute31716\"<\/div>\n
\n
EPISODE FIFTY-FIVE 3\/17\/16<\/div>\n
Signing your work and a critique of a watercolor and pen and ink landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute21716\"<\/div>\n
\n
EPISODE FIFTY-FOUR 3\/9\/16<\/div>\n
Etching without a press and a critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\n
\"membersminute21716\"<\/div>\n
\n
EPISODE FIFTY-THREE 3\/2\/16<\/div>\n
Using blending stumps with pastel pencils and a critique of a landscape painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\n
\"membersminute21716\"<\/div>\n
\n
EPISODE FIFTY-TWO 2\/24\/16<\/div>\n
Courage to try new things and a critique of a watercolor landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\n
\"membersminute21716\"<\/div>\n
\n
EPISODE FIFTY-ONE 2\/17\/16<\/div>\n
Creating highlights with Inktense pencils and a critique of a pastel landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

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\n
\"membersminute21016\"<\/div>\n
\n
EPISODE FIFTY 2\/10\/16<\/div>\n
Handling animal fur with oil pastels and a critique of a pastel landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute2316\"<\/div>\n
\n
EPISODE FORTY-NINE 2\/3\/16<\/div>\n
A question for you and a critique of a colored pencil pet portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute12716\"<\/div>\n
\n
EPISODE FORTY-EIGHT 1\/27\/16<\/div>\n
A question on photographing art and a critique of a graphite portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute12116\"<\/div>\n
\n
EPISODE FORTY-SEVEN 1\/21\/16<\/div>\n
A question on using viewfinders and a critique of an oil pastel landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute11316\"<\/div>\n
\n
EPISODE FORTY-SIX 1\/13\/16<\/div>\n
A question on using \"craft acrylics\" and a critique of an acrylic landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE FORTY-FIVE 1\/6\/16<\/div>\n
A critique of a pastel landscape and a quote on the greatest pleasure in life.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute111115\"<\/div>\n
\n
EPISODE FORTY-FOUR 12\/9\/15<\/div>\n
Learning to draw faster and a critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE FORTY-THREE 12\/16\/15<\/div>\n
A question on using other artists' artwork as a reference and a critique of a watercolor painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute111115\"<\/div>\n
\n
EPISODE FORTY-TWO 12\/9\/15<\/div>\n
Studio tour and a critique of an illustrative drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE FORTY-ONE 12\/2\/15<\/div>\n
Best iPad apps for drawing and a critique of a digital painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute111115\"<\/div>\n
\n
EPISODE FORTY 11\/25\/15<\/div>\n
Tips for developing your portfolio.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE THIRTY-NINE 11\/18\/15<\/div>\n
A critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute111115\"<\/div>\n
\n
EPISODE THIRTY-EIGHT 11\/11\/15<\/div>\n
A critique of a digital painting and a question about fixative.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE THIRTY-SEVEN 11\/4\/15<\/div>\n
A critique of a watercolor \"first\".<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9305\"<\/div>\n
\n
EPISODE THIRTY-SIX 10\/28\/15<\/div>\n
A critique of a PanPastel\/pastel landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE THIRTY-FIVE 10\/21\/15<\/div>\n
Should art teachers draw on student work and a colored pencil critique.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9305\"<\/div>\n
\n
EPISODE THIRTY-FOUR 10\/14\/15<\/div>\n
A question on avoiding muddied colors and a critique of a graphite dog portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE THIRTY-THREE 10\/6\/15<\/div>\n
A question on when to start a new work and a critique of a graphite portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9305\"<\/div>\n
\n
EPISODE THIRTY-TWO 9\/30\/15<\/div>\n
A question on student quality vs. artist quality paints and a critique of an ink drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9235\"<\/div>\n
\n
EPISODE THIRTY-ONE 9\/23\/15<\/div>\n
A question on discovering your artistic style and a critique of a graphite still life drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9215\"<\/div>\n
\n
EPISODE THIRTY 9\/16\/15<\/div>\n
A question on choosing brushes for acrylic vs. watercolor painting and a critique of a digital painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9215\"<\/div>\n
\n
EPISODE TWENTY-NINE 9\/9\/15<\/div>\n
A question on keeping your watercolor painting wet and a critique of a dog portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute9215\"<\/div>\n
\n
EPISODE TWENTY-EIGHT 9\/2\/15<\/div>\n
A question on choosing colors for beginner acrylic painters and a critique of an acrylic landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute82615\"<\/div>\n
\n
EPISODE TWENTY-SEVEN 8\/26\/15<\/div>\n
A question on pricing your art and a new artist making strides.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute81915\"<\/div>\n
\n
EPISODE TWENTY-SIX 8\/19\/15<\/div>\n
A question on getting started with painting and a critique of a graphite and white charcoal drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute81215\"<\/div>\n
\n
EPISODE TWENTY-FIVE 8\/12\/15<\/div>\n
A question on dealing with frustration and a critique of a work in progress.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute8515\"<\/div>\n
\n
EPISODE TWENTY-FOUR 8\/5\/15<\/div>\n
A question on finding artistic inspiration and a critique of a figure drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute72915\"<\/div>\n
\n
EPISODE TWENTY-THREE 7\/29\/15<\/div>\n
A question on choosing a camera for photographing references and a critique of a portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute72215\"<\/div>\n
\n
EPISODE TWENTY-TWO 7\/22\/15<\/div>\n
A question on underpainting color choice and a critique of a graphite pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute71515\"<\/div>\n
\n
EPISODE TWENTY-ONE 7\/15\/15<\/div>\n
A question on color wheels and a critique of a graphite pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminutete62415\"<\/div>\n
\n
EPISODE TWENTY 7\/8\/15<\/div>\n
A question on drawing from imagination and a critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminutete62415\"<\/div>\n
\n
EPISODE NINETEEN 7\/1\/15<\/div>\n
A question on creativity and a critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminutete62415\"<\/div>\n
\n
EPISODE EIGHTEEN 6\/24\/15<\/div>\n
A bit on \"talent\" and a critique of a portrait drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminutete61015\"<\/div>\n
\n
EPISODE SEVENTEEN 6\/17\/15<\/div>\n
Advice for new artists and a critique of a colored pencil drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminutete61015\"<\/div>\n
\n
EPISODE SIXTEEN 6\/10\/15<\/div>\n
A question on knowing when to stop and a critque of an acrylic portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute52715\"<\/div>\n
\n
EPISODE FIFTEEN 6\/3\/15<\/div>\n
A question on symmetry and a critique of a pastel portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute52715\"<\/div>\n
\n
EPISODE FOURTEEN 5\/27\/15<\/div>\n
A question on portrait drawing and a critique of a portrait drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute52015\"<\/div>\n
\n
EPISODE THIRTEEN 5\/20\/15<\/div>\n
A question on holding your work up to a mirror. A critique of an acrylic painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"mm5615\"<\/div>\n
\n
EPISODE TWELVE 5\/13\/15<\/div>\n
A question on art school. A critique of a graphite drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"mm5615\"<\/div>\n
\n
EPISODE ELEVEN 5\/6\/15<\/div>\n
A question on matching values in a drawing and a graphite portrait critique.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute42915\"<\/div>\n
\n
EPISODE TEN 4\/29\/15<\/div>\n
A question on drawing surfaces and a critique of a graphite landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute42215\"<\/div>\n
\n
EPISODE NINE 4\/22\/15<\/div>\n
SPECIAL - Organizing your art materials.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute41515\"<\/div>\n
\n
EPISODE EIGHT 4\/15\/15<\/div>\n
A critique of a drawing of a bird and a quote from Van Gogh.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"mm4815\"<\/div>\n
\n
EPISODE SEVEN 4\/8\/15<\/div>\n
A question on free Photoshop and a critique of a watercolor landscape.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute4115title\"<\/div>\n
\n
EPISODE SIX 4\/1\/15<\/div>\n
A critique of a colored pencil drawing and a quote from Picasso.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute32515\"<\/div>\n
\n
EPISODE FIVE 3\/25\/15<\/div>\n
A question on making your art look its best and a critique of an Inktense drawing.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"31815\"<\/div>\n
\n
EPISODE FOUR 3\/18\/15<\/div>\n
A question on graphite grades and pencil quality and a critique of a watercolor landscape painting.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminuteimage31115\"<\/div>\n
\n
EPISODE THREE 3\/11\/15<\/div>\n
A question on covering large areas with colored pencils and a critique of a colored pencil illustration.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute3415\"<\/div>\n
\n
EPISODE TWO 3\/4\/15<\/div>\n
A question on traveling with art materials and a critique of a graphite portrait.<\/div>\n<\/div>\n<\/div>\n

<\/a>\n<\/div>\n

<\/p>\n
\n
\"membersminute22515\"<\/div>\n
\n
EPISODE ONE 2\/25\/15<\/div>\n
About \"The Member's Minute\", a question on courses, and an oil pastel critique.<\/div>\n<\/div>\n<\/div>\n

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Showing <\/p>\n
12<\/div>\n

of <\/p>\n

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Episodes<\/span><\/div>\n

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Learn from ALL of our lessons.<\/br><\/p>\n
Members get every course, live lesson, ebook, critique and lesson plan.<\/div>\n
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START YOUR TRIAL<\/div>\n

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