{"id":26989,"date":"2018-03-28T14:20:11","date_gmt":"2018-03-28T14:20:11","guid":{"rendered":"http:\/\/thevirtualinstructor.com\/members\/?page_id=26989"},"modified":"2026-04-02T21:20:56","modified_gmt":"2026-04-02T21:20:56","slug":"25-days-to-better-drawings-day-fourteen-texture-study-3","status":"publish","type":"page","link":"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-fourteen-texture-study-3","title":{"rendered":"25 Days to Better Drawings &#8211; Day Fourteen &#8211; Texture Study #3"},"content":{"rendered":"<div class=\"coursetitlecontainer\">\n<div class=\"coursetitle\">\n<h1><span>25 Days to Better Drawings:<\/span> Texture Study #3<\/h1>\n<\/div>\n<\/div>\n<\/p>\n<div class=\"insertbackground\">\n<div class=\"removep\">\n<div class=\"videoflexwrapper\">\n<div class=\"videotop\">\n  <iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/268505599\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div style=\"clear:both;\"><\/div>\n<\/div>\n<div class=\"sidebartop\">\n<div class=\"vertalign\">\n<div class=\"logoimage\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/members\/wp-content\/uploads\/2025\/12\/logosmall75.png\"><\/div>\n<div class=\"sidebarcarddescriptiondark\"><span>JOIN THE VIRTUAL INSTRUCTOR<\/span><br \/>\n    Get ALL of our courses, ebooks, live lessons, critiques, lesson plans and more today.<\/div>\n<div class=\"sidebarbuttonholder\"><a href=\"https:\/\/thevirtualinstructor.com\/members\"><\/p>\n<div class=\"sidebuttonsmem\">START FREE TRIAL<\/div>\n<p><\/a><\/p>\n<hr style=\"background-color:#ffffff;margin-top:1.5em;\"><a href=\"https:\/\/thevirtualinstructor.com\/members\/register-25-days-to-better-drawings\"><\/p>\n<div class=\"sidebuttons\">BUY SINGLE COURSE $97<\/div>\n<p><\/a><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<div style=\"clear:both;\"><\/div>\n<\/div>\n<div class=\"courseperkscontainer\">\n<div class=\"courseperks\"><span>This course features:<\/span><\/div>\n<div class=\"courseperks\"><i class=\"far fa-clock\" style=\"margin-right:10px;\"><\/I>10 Hours of Instruction<\/div>\n<div class=\"courseperks\"><i class=\"fas fa-film\" style=\"margin-right:10px;\"><\/i>25 Videos<\/div>\n<div class=\"courseperks\"><i class=\"fas fa-book\" style=\"margin-right:10px;\"><\/i>24 eBooks<\/div>\n<div class=\"courseperks\"><i class=\"fas fa-shield-alt\" style=\"margin-right:10px;\"><\/i>30 Day Money Back Guarantee<\/div>\n<div style=\"clear:both;\"><\/div>\n<\/div>\n<div style=\"clear:both;\"><\/div>\n<p>\n\n<div class=\"contentfix\">\n<div class=\"favorites\"><\/div>\n<div class=\"tabs\">\n  <input name=\"tabs\" type=\"radio\" id=\"tab-1\" checked=\"checked\" class=\"input\"\/><br \/>\n  <label for=\"tab-1\" class=\"label\">Description<\/label><\/p>\n<div class=\"panel\">\n<h2>Lesson Description<\/h2>\n<p>Lesson fourteen of the <em>25 Days to Better Drawings Course<\/em> continues the exploration of texture by shifting attention to a very different surface quality\u2014smooth, reflective metal. In this session, students create a highly realistic drawing of a metal bolt using graphite pencils and white charcoal on gray drawing paper. This combination of tools and surface allows for a full value range, helping learners capture the shiny highlights, sharp edges, and subtle gradients that define metallic objects. Building on techniques from previous lessons, this study encourages careful observation, control of pressure, and an understanding of how light interacts with reflective surfaces.<\/p>\n<h2>Understanding the Characteristics of Metal Texture<\/h2>\n<p>The lesson begins with a discussion of what makes metal distinct from the textures studied so far. Unlike wood or brick, metal is not defined by roughness or organic irregularities. Rather, its defining qualities are smoothness, reflectivity, and sharp tonal contrast. Light behaves differently on metal, producing bright highlights, dramatic reflections, and deep shadows that shift quickly across the surface. Instead of gradual, subtle transitions, metal often features crisp edges between light and dark areas.<\/p>\n<p>Students learn that capturing metal convincingly requires more than simply shading smoothly; it demands an understanding of light direction, surface angles, and value relationships. The instructor emphasizes that metal objects rarely reveal texture through small marks. Instead, texture emerges through the interplay of clean shapes of value\u2014large areas of light, dark, and midtone, arranged like pieces of a puzzle. This section encourages learners to observe these shapes closely and resist the urge to overwork or overblend.<\/p>\n<h2>Preparing the Drawing: Setting Up the Composition<\/h2>\n<p>With the characteristics of metal understood, students begin planning their drawing of a metal bolt. The lesson demonstrates how to lightly sketch the basic shapes using graphite, focusing on accurate proportions, precise angles, and clean construction lines. Because bolts contain circular openings, cylindrical threads, and angular planes, they offer an excellent opportunity to apply knowledge from earlier lessons about basic forms and ellipses.<\/p>\n<p>The instructor walks students through breaking the bolt into simpler shapes\u2014a cylinder for the shaft, stacked ellipses for the threading, and a polygonal form for the head. Accuracy in this stage is essential, as the reflective surface of metal exaggerates errors in symmetry or proportion. The gray drawing paper provides a neutral midtone foundation, ensuring that both graphite and white charcoal will stand out as shading progresses.<\/p>\n<h2>Developing Values: Using Graphite and White Charcoal<\/h2>\n<p>Once the drawing is established, students begin developing values using graphite pencils. The lesson explains how to build up darker tones gradually, paying close attention to clean edges and smooth transitions. Matt demonstrates how to map out the major value shapes first, identifying where the darkest shadows fall and where the brightest highlights will eventually be placed with white charcoal.<\/p>\n<p>This step emphasizes the importance of contrast when drawing metal. Students practice creating sharp edges where necessary while keeping certain transitions smooth and controlled. Harder graphite pencils may be used for lighter areas, while softer pencils deepen the darkest shadows. The metal surface begins to emerge as strong value shapes interact across the form of the bolt.<\/p>\n<h2>Adding Highlights: The Power of White Charcoal<\/h2>\n<p>With graphite shadows in place, the lesson moves on to using white charcoal to elevate the drawing further. On gray paper, white charcoal provides luminous highlights that perfectly mimic the polished gleam of metal. Students learn how to apply white charcoal selectively and cleanly, avoiding excessive blending to maintain crispness.<\/p>\n<p>Matt demonstrates how to enhance edges, accent reflective areas, and refine the brightest points where light strikes the bolt directly. Subtle applications can also be used to transition between midtones and highlights, preserving the smooth yet dramatic quality characteristic of metallic surfaces. This stage reveals how combining graphite and white charcoal results in a full, rich value range unattainable by graphite alone.<\/p>\n<h2>Refining Details and Enhancing Realism<\/h2>\n<p>In the final phase of the lesson, students refine their drawing by adjusting contrasts, sharpening edges, and carefully developing the intricate details of the bolt\u2019s threading and surface reflections. Matt shows how to create the illusion of depth within the grooves of the threads, using shadow placement and edge clarity to emphasize the bolt\u2019s dimensionality.<\/p>\n<p>Students also learn how to enhance the subtle reflective qualities of metal, including small bounced highlights and tonal variations influenced by surrounding objects. These finishing touches bring the bolt to life, giving it weight, solidity, and a realistic metallic sheen. By the end of the lesson, learners gain confidence in using both graphite and white charcoal to communicate smooth, reflective textures with precision and finesse.<\/p>\n<\/p><\/div>\n<p>  <input name=\"tabs\" type=\"radio\" id=\"tab-2\" class=\"input\"\/><br \/>\n  <label for=\"tab-2\" class=\"label\">Materials<\/label><\/p>\n<div class=\"panel\">\n<h2>Lesson Materials<\/h2>\n<p>Graphite drawing pencils: H and 2B, gray drawing paper, blending stump, and a white charcoal pencil. In this drawing exercise, we create a drawing of a bolt with graphite and white charcoal.<\/p>\n<\/p><\/div>\n<p>  <input name=\"tabs\" type=\"radio\" id=\"tab-3\" class=\"input\"\/><br \/>\n  <label for=\"tab-3\" class=\"label\">Resources<\/label><\/p>\n<div class=\"panel\">\n<h2>Lesson Resources<\/h2>\n<p><i class=\"fas fa-exclamation-triangle\" style=\"margin-right:10px;\"><\/I>Distributing any content downloaded from this site is strictly prohibited and against the terms and conditions of use.<\/p>\n<p><i class=\"fas fa-lock\" style=\"margin-right:10px;\"><\/I>Download eBook<\/p>\n<p><i class=\"fas fa-lock\" style=\"margin-right:10px;\"><\/I>Reference Image<\/p>\n<\/p><\/div>\n<p><input name=\"tabs\" type=\"radio\" id=\"tab-4\" class=\"input\"\/><br \/>\n  <label for=\"tab-4\" class=\"label\">Curriculum<\/label><\/p>\n<div class=\"panel\">\n<h2>Course Curriculum<\/h2>\n<div class=\"curriculumcontainer\">\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-one-mindset-and-materials\/\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 1: Materials and Mindset (10:07)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-two-drawing-with-lines\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 2: Drawing with Lines (25:29)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-three-drawing-ellipses\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 3: Drawing Ellipses (18:26)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-four-drawing-with-shapes\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 4: Drawing with Shapes (15:56)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-five-line-quality\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 5: Line Quality (13:10)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-six-cross-contour-lines\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 6: Cross Contour Lines (11:32)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-seven-shading-with-line\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 7: Shading with Line (38:49)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-eight-value\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 8: Value (10:52)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-nine-shadow-and-light\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 9: Light and Shadow (11:58)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-ten-drawing-basic-forms\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 10: Drawing Basic Forms (17:25)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-11-drawing-with-forms\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 11: Drawing with Forms (21:12)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-twelve-texture-study-1\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 12: Texture Study #1 (28:54)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-thirteen-texture-study-2\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 13: Texture Study #2 (49:20)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-fourteen-texture-study-3\" class=\"curriculumselected\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 14: Texture Study #3 (17:31)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-fifteen-the-illusion-of-space\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 15: The Illusion of Space (16:33)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-sixteen-one-point-perspective\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 16: One Point Perspective (46:39)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-seventeen-two-point-perspective\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 17: Two Point Perspective (48:35)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-eighteen-three-point-perspective\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 18: Three Point Perspective (54:30)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-nineteen-sighting-measuring-and-mapping\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 19: Sighting, Measuring, and Mapping (10:02)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-twenty-positive-and-negative-space\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 20: Positive and Negative Space (8:13)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-twenty-one-the-grid-technique\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 21: The Grid Technique (11:07)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-twenty-two-basic-facial-proportions\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 22: Basic Facial Proportions (41:52)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-twenty-three-figure-drawing\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 23: Figure Drawing (1:03:53)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-twenty-four-drawing-in-reverse\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 24: Drawing in Reverse (16:29)<\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/25-days-to-better-drawings-day-twenty-five-final-exercise\" class=\"curriculum\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Lesson 25: Conclusion \/ Final Exercise (3:56)<\/a><\/p>\n<\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"sidebarbottom\">\n<div class=\"relatedcourse\">Your Instructor<\/div>\n<div class=\"instructor\">\n<div class=\"instructorimage\">\n<div class=\"instructorpic\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/images\/mattauthor.jpg\" alt=\"Matt Fussell - Instructor\"><\/div>\n<div class=\"instructorname\">Matt Fussell<\/div>\n<\/div>\n<div class=\"instructordes\">\n<p>Founder of The Virtual Instructor, artist and teacher. Matt makes learning art easy to understand and enjoyable.<\/p>\n<p><div style=\"padding-top:10px;\"><a href=\"https:\/\/thevirtualinstructor.com\/blog\/author\/admin\">Learn more about Matt<\/a><\/div>\n<\/p>\n<\/div>\n<\/div>\n<div class=\"relatedcoursescontainer\">\n<div class=\"relatedcourse\">Related Courses and Classes<\/div>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/realistic-pencil-drawing\" class=\"sidebarbottom-curriculum\"><\/p>\n<div class=\"leftlean\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Realistic Pencil Drawing<\/div>\n<div class=\"rightlean\" style=\"background-image: url('https:\/\/thevirtualinstructor.com\/members\/wp-content\/uploads\/2024\/12\/Realistic-Pencil-Drawing-Course.jpg');\"><\/div>\n<div style=\"clear:both;\"><\/div>\n<p><\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/the-secrets-to-drawing\" class=\"sidebarbottom-curriculum\"><\/p>\n<div class=\"leftlean\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>The Secrets to Drawing<\/div>\n<div class=\"rightlean\" style=\"background-image: url('https:\/\/thevirtualinstructor.com\/members\/wp-content\/uploads\/2024\/12\/Secrets-to-Drawing-Course.jpg');\"><\/div>\n<div style=\"clear:both;\"><\/div>\n<p><\/a><\/p>\n<p><a href=\"https:\/\/thevirtualinstructor.com\/members\/mastering-metal-with-graphite-and-white-charcoal\" class=\"sidebarbottom-curriculum\"><\/p>\n<div class=\"leftlean\"><i class=\"far fa-play-circle\" style=\"margin-right:5px;\"><\/i>Mastering Metal<\/div>\n<div class=\"rightlean\" style=\"background-image: url('https:\/\/thevirtualinstructor.com\/members\/wp-content\/uploads\/2025\/02\/Mastering-Metal-Graphite-White-Charcoal.jpg');\"><\/div>\n<div style=\"clear:both;\"><\/div>\n<p><\/a>\n<\/div>\n<\/div>\n<\/div>\n<div style=\"clear:both;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>25 Days to Better Drawings: Texture Study #3 Description Lesson Description Lesson fourteen of the 25 Days to Better Drawings Course continues the exploration of texture by shifting attention to a very different surface quality\u2014smooth, reflective metal. In this session, students create a highly realistic drawing of a metal bolt using graphite pencils and white [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"paget-iframe.php","meta":{"footnotes":""},"tags":[],"class_list":["post-26989","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/pages\/26989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/comments?post=26989"}],"version-history":[{"count":1,"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/pages\/26989\/revisions"}],"predecessor-version":[{"id":45908,"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/pages\/26989\/revisions\/45908"}],"wp:attachment":[{"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/media?parent=26989"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thevirtualinstructor.com\/members\/wp-json\/wp\/v2\/tags?post=26989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}