{"id":3088,"date":"2015-10-12T16:34:44","date_gmt":"2015-10-12T20:34:44","guid":{"rendered":"http:\/\/thevirtualinstructor.com\/blog\/?p=3088"},"modified":"2019-06-28T07:58:56","modified_gmt":"2019-06-28T11:58:56","slug":"11-must-have-watercolor-supplies","status":"publish","type":"post","link":"https:\/\/thevirtualinstructor.com\/blog\/11-must-have-watercolor-supplies","title":{"rendered":"11 Must Have Watercolor Supplies for Beginners"},"content":{"rendered":"
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\"11<\/div>\n
Perhaps you’re an experienced watercolor artist, or maybe you’re just starting out. Either way, there are several supplies that I feel are essential. You may not use them all in every painting that you create, but if you’re looking to stock up, here’s what I suggest having in your tool box…<\/p>\n

1. Watercolor Paints<\/h2>\n

Well there’s no doubt that you’ll need watercolor paint. But what brand and what type you should use really becomes a personal choice. Let’s look at your options… <\/p>\n

First, a note on low quality brands of paint. There are plenty of low quality brands of watercolor. Watercolor can be made very cheaply and for the lower quality brands, the price reflects this. You’ll see the price that you pay reflected in the quality of your painting as well. Using low quality paints will just lead to frustration, so my suggestion is stay away from the cheaper brands.<\/p>\n

Watercolor<\/a> is produced in two main forms: Tube or<\/em> Cake (or Pan). All watercolor consists of pigment (color), a material such as gum arabic (binder), and water (solvent). Other materials are added to extend the paint.<\/p>\n

\"Watercolor
Tube Paints, Gouache, and Cake Paints<\/figcaption><\/figure>\n

Tube Paints<\/h3>\n

The watercolor paint found in tubes is thick. It can be squeezed out on a palette and thinned with water in order to apply translucent applications. When tube paints dry, they can be reactivated just like cake or pan watercolors.<\/p>\n

Tube paints are best for intense colors. The color is naturally more concentrated than the cake form of the paint. “Muddied” colors are less likely to occur with tube paints since contamination is less likely to occur. Mixing colors is bit easier as well. <\/p>\n

\"Tube
Tube Watercolor Paints<\/figcaption><\/figure>\n

Cake (or Pan) Paints<\/h3>\n

Cake watercolors are concentrated blocks of pigment and binder. When water is added, the color becomes activated. Colors are lifted out of the pan and applied to the surface. In many situations, cake watercolors are preferred. If you are painting “on location”, or just “sketching”, cake watercolors are a perfect solution. They’re easy to maintain and use. <\/p>\n

One drawback to pan watercolors is that color can become contaminated rather easily when going from pan to pan without washing your brush.<\/p>\n

Gouache<\/h3>\n

Many people consider gouache to be its own form of paint. Gouache<\/a> is really an opaque form of watercolor. It’s capable of producing results similar to opaque paints like acrylics or oils. It can also be thinned to mimic watercolor. Some artists create paintings exclusively with gouache, but it can also be used in conjunction with watercolor to strengthen highlights or intensify colors. <\/p>\n

(Some of the following links are affiliate links which means we earn a small commission if you purchase at no additional cost to you.)<\/p>\n

\"Detail
Detail of a Gouache Painting<\/figcaption><\/figure>\n

I recommend starting out with Winsor & Newton’s Cotman Watercolors<\/a> for tube paints. The colors are strong and intense but won’t break the bank.<\/p>\n

For cake watercolors, I love my Winsor & Newton artist watercolor field box set <\/a>. It’s a little pricer, but the pans last quite a while.<\/p>\n

For those just starting out with gouache, Reeves makes a good set<\/a>. They are very competitively priced and the quality is very good. For a more professional set of colors, you might try Winsor & Newton Designers’ Gouache introductory set<\/a>.<\/p>\n

2. Brushes<\/h2>\n

The brushes that you choose are also a personal decision. Many artists find a particular brand that they prefer. You’ll also find that particular brush types and shapes will produce different results which can be used for specific applications.<\/p>\n

Softer bristles are generally preferred by most artists. Sable and goat hair brushes are very soft and both are popular options. Sable bristles have a bit more “spring” than goat hair, providing the artist with a bit more control. <\/p>\n

Soft nylon brushes are preferred by many artists for the excellent spring and control of the stroke. I actually prefer to use nylon brushes for most applications.<\/p>\n

Stiffer hairs, such as hog bristle, are mostly avoided. In some circumstances, stiffer bristles are used for special textural effects.<\/p>\n

For more on choosing your brush, you may try this guide – How to Choose The Right Paint Brush<\/a><\/p>\n

\"Watercolor
Watercolor Brushes, Masking Tape, Masking Fluid, and Sea Sponge<\/figcaption><\/figure>\n

3. Masking Fluid<\/h2>\n

Masking fluid is a latex-based fluid that can be applied to the surface to preserve areas of the paper or previously applied washes of color.<\/p>\n

While masking fluid is great for added control in layering colors, it should be noted that it can destroy a paintbrush. It is advised to use an old brush to apply masking fluid or a rigid tool, such as toothpick. (Masking fluid in action<\/a>.)<\/p>\n

Once the masking fluid has served its purpose, it can be removed by gently rubbing with a finger, leaving preserved areas on the surface.<\/p>\n

\"Removing
Removing masking fluid by rubbing with a finger<\/figcaption><\/figure>\n

4. Masking Tape<\/h2>\n

For smaller paintings, masking tape can be used to adhere and stretch watercolor paper on a rigid surface. For larger paintings, staples and a stronger tape (gummed paper tape) may be used.<\/p>\n

5. Sea Sponges<\/h2>\n

Sea sponges are absorbent and feature interesting surface textures. For watercolor painting, sea sponges can be used to create textured applications. Sponges can be dipped in the paint and dabbed on the surface, transferring the physical texture of the sponge to a flat pattern on the painting surface. Because sea sponges are each unique in their texture, many artists prefer to have several in their collection.<\/p>\n

\"Assorted
Assorted Sea Sponges<\/figcaption><\/figure>\n

6. Watercolor Paper<\/h2>\n

The surface that you choose to work on is just as important as the brush and the paints. Watercolor paper is absorbent, allowing for multiple applications of washes without much buckling. Watercolor papers are quite varied, but there are three main forms. Each form of watercolor paper is categorized according to its manufacturing process and the weight of the paper.<\/p>\n

\"Palette,
Palette, Papers, and Support Panel<\/figcaption><\/figure>\n

Cold Press<\/h3>\n

Perhaps the most popular form of watercolor paper is cold press paper. It is referred to as “cold press” since the paper is rolled on cold cylinders during the manufacturing process. This process produces an irregular dimple pattern in the paper.<\/p>\n

Hot Press<\/h3>\n

Hot press papers are a bit smoother in texture since the paper is rolled on hot cylinders during the manufacturing process. Brush strokes are usually visible on hot press papers. <\/p>\n

Rough<\/h3>\n

Unlike hot press and cold press papers, rough papers are not rolled on cylinders at all. Instead, they are hard pressed, or not pressed at all. The resulting texture is a heavy tooth of an irregular pattern.<\/p>\n

Papers are also categorized according to their weight. Heavier papers are usually desired because they are more rigid and capable of holding many washes of color. The weight of the paper refers to the weight of a ream of paper (500 sheets).<\/p>\n

Typically, watercolor papers are available in three different weights…<\/p>\n