{"id":4590,"date":"2018-02-28T10:15:15","date_gmt":"2018-02-28T14:15:15","guid":{"rendered":"http:\/\/thevirtualinstructor.com\/blog\/?p=4590"},"modified":"2019-06-27T20:50:05","modified_gmt":"2019-06-28T00:50:05","slug":"how-to-match-color-through-mixing","status":"publish","type":"post","link":"https:\/\/thevirtualinstructor.com\/blog\/how-to-match-color-through-mixing","title":{"rendered":"How To Match Color Through Mixing"},"content":{"rendered":"<div style=\"margin-top:3%;\"><\/div>\n<div class=\"featuredimage\"><img loading=\"lazy\" decoding=\"async\" src=\"\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/mixingtomatchcolors.jpg\" alt=\"Mix Paint to Match Colors\" width=\"800\" height=\"450\" class=\"aligncenter size-full wp-image-4617\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/mixingtomatchcolors.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/mixingtomatchcolors-300x169.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/mixingtomatchcolors-768x432.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/mixingtomatchcolors-500x281.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/div>\n<div class=\"contentfix\">\nIn the late 90s, I got a job matching color. I was a college student at the time \u2013 a studio art major. My boss was an oil painter, like myself. With connections in the art-print-industry, he had received a contract to paint copies of a popular artist\u2019s work. These were palette knife paintings. We would create 200 copies, hand-painted on top of <em>Gicl\u00e9e<\/em> prints. These \u201cenhanced\u201d prints were sold around the country in art galleries and boutiques.<\/p>\n<p>My work week would start with about three hours of color mixing and matching. Using the original painting as a guide, I premixed 15-25 colors in large quantities and saved those colors in metal tins. I would then paint all week, remixing those same colors the next week, until the order had been filled. The colors had to match perfectly from week to week. It was like an oil painting assembly line but the experience I gained was invaluable.<\/p>\n<p>My hope is to share both what I learned then and what I\u2019ve learned since about matching colors below.<\/p>\n<h2>Reasons to Match Colors through Mixing<\/h2>\n<p>There are several reasons a painter might need or want to mix an exact match.<\/p>\n<ul>\n<li>To repair a damaged painting.<\/li>\n<li>To complete an unfinished area from a previous painting session.<\/li>\n<li>To match colors from an observed subject.<\/li>\n<li>The subject of a painting has a distinct and familiar color.<\/li>\n<\/ul>\n<h2>Matching Paint to Paint<\/h2>\n<p>The first variable to consider when matching a color is the paint itself. For example, tempera and gouache paints dry lighter in value than they appear when wet. This characteristic complicates color matching. When using these paints, I prefer to repaint passages with a fresh mixture over trying to match wet color with dry color. If that&#8217;s not possible (in the case of retouching), then expect more trial and error with theses paints. Mix slightly darker values than desired. Wait for test swatches to dry before making adjustments to the mixture.<\/p><\/div>\n<div style=\"padding:0% 4% 0% 4%;\">\n<div class=\"promoinsert\">\n<div class=\"promoimage\"><\/div>\n<div class=\"promotext\"><span>The Acrylic Painting Academy<\/span><br \/>\n     &#8220;The Acrylic Painting Academy&#8221; is a comprehensive painting course designed to guide absolute beginners to a level of producing professional quality acrylic paintings. <br \/>\n     <a href=\"https:\/\/thevirtualinstructor.com\/members\/the-acrylic-painting-academy\/\"><\/p>\n<div class=\"contentbutton\">VIEW COURSE<\/div>\n<p>     <\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"contentfix\">\n<p>Dry acrylic and oil paint colors more closely correlate with their wet counterparts so they are less frustrating to match. (I use oil paint in the video below.)<\/p>\n<h2>Choosing Pigments<\/h2>\n<p>Starting with the right pigments is essential to matching colors through mixing. I like to have as few colors on my palette as possible. Less colors means that I am more likely to remember or even guess what I mixed together in the past to arrive at a certain color. This improves my chances of matching a color.<\/p>\n<p>What works for me is using both warm and cool primary colors. A combination of warm and cool primaries offers enough options to match nearly any color. Using primaries simplifies the process and is a key to becoming a master of color control.<\/p>\n<p>The pigments I recommend are as follows:<\/p>\n<ul>\n<li><strong>Warm Primaries<\/strong>: Cadmium red medium, Cadmium Yellow Medium and Ultramarine blue<\/li>\n<li><strong>Cool Primaries<\/strong>: Alizarin Crimson, Chrome Yellow and either Cerulean Blue (for landscapes) OR Phthalo Blue<\/li>\n<\/ul>\n<p>Besides these primary colors, I keep Titanium white (the whitest white) on my palette. I try to avoid using any black at all.<\/p>\n<p>*PRO TIP \u2013 each color added to a mixture results in a duller mixture. If, while attempting to match a color, the mixture becomes markedly duller than the target color, then the mixture is likely a failure and the artist should start over. Attempting to \u201cbring a color back\u201d often results in even greater waste. It is better to waste a little than a lot.<\/p>\n<div style=\"background-color:#e2f7fc; padding:3%;margin-bottom:2%;\">Color theory got you confused? <a href=\"\/\/thevirtualinstructor.com\/Color.html\">Learn more on color theory here<\/a>. <\/div>\n<div style=\"clear:both;\"><\/div>\n<h2>The Color Matching Process<\/h2>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/257768147\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<h2>Step to Matching Colors with Paint<\/h2>\n<ol>\n<li>Identify the hue of a color from the color wheel. Each color is more or less like the 12 colors on the wheel. Even brown and grey colors lean toward a hue. Often browns lean more toward orange or red. Grays sometimes lean toward blue, green or purple. <strong>Forcing myself to name the hue that I see gives me a starting point.<\/strong> So if a brown leans toward orange, it <em>is<\/em> an orange in my mind. Start there.<\/li>\n<li>Mix the hue that you see from the primaries, if it is not a primary. Don\u2019t use both the cool and warm options of a single hue in your mixture. That is, don\u2019t use both Cadmium Red and Alizarin Crimson in the same mixture.<\/li>\n<li>As required, use white in your mixture to reach the approximate value of the color target.<\/li>\n<li>Once the base hue is identified and mixed, use the <strong>complement<\/strong> of that hue to manage\/reduce the brightness of the mixture until reaching the desired color. The ability to use complementary relationships to control color intensity is the single most important skill to learn as a colorist. Complementary pairs are red\/green, blue\/orange, yellow\/purple.<\/li>\n<\/ol>\n<p>*PRO TIP \u2013 To better judge whether two colors match, those colors need to &#8220;touch&#8221; one another, whether on the palette or the canvas. Subtle differences are revealed as soon as two colors come together.<\/p>\n<h2>Matching the Color of the Subject<\/h2>\n<p>Matching a previously mixed color is one thing, but what about matching the color of a subject; a sky, a face, a piece of fruit? The disadvantage in this case, is that the artist cannot always <em>touch<\/em> their color mixtures to their target colors.<\/p>\n<\/div>\n<div class=\"featuredimage\"><a href=\"https:\/\/thevirtualinstructor.com\/members\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2019\/11\/newmembersad.jpg\"\/><\/a><\/div>\n<div class=\"contentfix\">\n<p>But I have good news \u2013 it is the twenty-first century. I believe in taking advantage of technology to advance my painting. Often, I\u2019ll photograph my subject and import it into Photoshop (or another photo editing program). \u00a0I&#8217;ll then take samples of the certain colors using the eyedropper tool. After printing these swatches, I&#8217;m then able to match my colors directly to those swatches (see the demonstration video above).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4592\" src=\"\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/Matching-Color-Photo-1.jpg\" alt=\"Matching Colors for Painting\" width=\"800\" height=\"500\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/Matching-Color-Photo-1.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/Matching-Color-Photo-1-300x188.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/Matching-Color-Photo-1-768x480.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/Matching-Color-Photo-1-480x300.jpg 480w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Sherwin-Williams created an app that does the same thing. The app matches the colors of a photograph to paint colors offered by Sherwin-Williams in an effort to sell their paints. To use this app and others like it with artist\u2019s paint, just take a screenshot of the apps swatches, print the screen shot and start matching color.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4593\" src=\"\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/SherwinWilliamsApp.jpg\" alt=\"Color Matching Apps\" width=\"800\" height=\"600\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/SherwinWilliamsApp.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/SherwinWilliamsApp-300x225.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/SherwinWilliamsApp-768x576.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/02\/SherwinWilliamsApp-400x300.jpg 400w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>The Relativity of Color<\/h2>\n<p>Remember, color is relative just like height. I like to stand next to shorter people to make myself look taller (I\u2019m not tall). Similarly, the artist can manipulate a color&#8217;s appearance with its surrounding colors. If a color is matched well but looks wrong in the painting, then the problem could be the surrounding colors.<\/p>\n<h2>The Secret Weapon of Color Matching \u2013 Shhh!<\/h2>\n<p>Some opaque paints, like <a href=\"\/\/thevirtualinstructor.com\/oil-painting-tutorials.html\">oils<\/a> and <a href=\"\/\/thevirtualinstructor.com\/acrylic-painting-tutorials.html\">acrylics<\/a>, offer an opportunity for color correction even after the colors have dried. The technique for doing so is called <a href=\"\/\/thevirtualinstructor.com\/how-to-glaze-acrylics.html\">glazing<\/a>.<\/p>\n<p>A glaze is a thinned down, transparent solution that acts as a filter over a painting. You can brighten a color by glazing over it with it&#8217;s own hue or dull a color by glazing over it with its complementary hue.<\/p>\n<h2>Conclusion<\/h2>\n<p>Color is like icing on a cake. It may add to the painting, but without it you still have a cake. <a href=\"\/\/thevirtualinstructor.com\/Value.html\">Value<\/a> <em>is<\/em> the cake. Without it you have nothing. So take some pressure off of yourself when it comes to color matching. Get your colors close but your values perfect.<\/p>\n<\/div>\n<div style=\"padding:0% 4% 0% 4%;clear:both;\">\n<div class=\"promoinsert\">\n<div class=\"promoimagenews\"><\/div>\n<div class=\"promotext\"><span>Like This Lesson?<\/span><br \/>If so, join over 36,000 others that receive our newsletter with new drawing and painting lessons. 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I was a college student at the time \u2013 a studio art major. My boss was an oil painter, like myself. With connections in the art-print-industry, he had received a contract to paint copies of a popular artist\u2019s work. These were palette knife paintings. We [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":4617,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-4590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-painting"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Learn how to mix colors to match your subject in a painting by using this simple and easy process that uses just a few primary colors.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Ashley Hurst\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/thevirtualinstructor.com\/blog\/how-to-match-color-through-mixing\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta 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