{"id":5296,"date":"2018-06-16T17:24:40","date_gmt":"2018-06-16T21:24:40","guid":{"rendered":"https:\/\/thevirtualinstructor.com\/blog\/?p=5296"},"modified":"2019-06-27T20:41:16","modified_gmt":"2019-06-28T00:41:16","slug":"draw-a-dragonfly-pen-and-ink-stippling","status":"publish","type":"post","link":"https:\/\/thevirtualinstructor.com\/blog\/draw-a-dragonfly-pen-and-ink-stippling","title":{"rendered":"Drawing a Dragonfly: Stippling with Pen and Ink"},"content":{"rendered":"<div style=\"margin-top:3%;\"><\/div>\n<div class=\"featuredimage\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/Draw-a-Dragonfly-stippling-pen-ink.jpg\" alt=\"Draw a Dragonfly with Stippling and Pen and Ink\" width=\"800\" height=\"450\" class=\"aligncenter size-full wp-image-5346\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/Draw-a-Dragonfly-stippling-pen-ink.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/Draw-a-Dragonfly-stippling-pen-ink-300x169.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/Draw-a-Dragonfly-stippling-pen-ink-768x432.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/Draw-a-Dragonfly-stippling-pen-ink-500x281.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/div>\n<div class=\"contentfix\">Stippling is the process of using small countless dots to develop an ink drawing. It is a well-known and common inking technique. Drawings that consist of a great number of small dots can be quite impressive and have a unique feel. <\/p>\n<p>Beginning ink artists usually choose stippling as a starting point technique because it&#8217;s forgiving \u2013 a couple of odd dots probably won&#8217;t ruin the artwork. It\u2019s also relatively easy to control the accuracy of dots (and the drawing in general) \u2013 probably easier than dealing with a variety of hatches.<\/p>\n<p>On the other hand, creating a multi-layered net of dots requires quite a bit of time. There are many opinions on whether it is appropriate to combine stippling with hatching. Some artists prefer \u201cpure\u201d stippling while some choose to include lines and various types of hatching in the stippled artwork.<\/p>\n<p>Let me show you my approach and the process of <strong>combining different techniques<\/strong> in an ink drawing. In this tutorial, we&#8217;ll create a drawing of a beautiful dragonfly, mixing black and bright, colorful dots. Stippling is not limited to just one color after all!<\/p>\n<h2>The Art Supplies for This Drawing<\/h2>\n<p>For this project, I&#8217;ll be using:<\/p>\n<ul>\n<li>Black ink liners, the width numbers are 0.05 and 0.1.<\/li>\n<li>Colorful pens \u2013 light blue, dark blue and purple.<\/li>\n<li>HB graphite pencil and eraser for creating the underdrawing.<\/li>\n<\/ul>\n<p>The size of my artwork is relatively small, 17\u00d723 cm (or roughly 6.5&#8243; by 9&#8243;). The choice of paper is up to you, but I prefer the smooth white paper. Another option is smooth or vellum Bristol paper.<\/p>\n<p>Please use ink liners or pens of any brand you like or have. Of course, a creative approach is welcome \u2013 choose any additional colors, if you wish!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5298\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/art-supplies.jpg\" alt=\"Art Supplies for Stippling with Ink\" width=\"800\" height=\"539\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/art-supplies.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/art-supplies-300x202.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/art-supplies-768x517.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/art-supplies-445x300.jpg 445w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>Basic Stippling Technique<\/h2>\n<h3><strong>When to Use Stippling<\/strong><\/h3>\n<p>Before we dive into the process of outlining the &#8220;final&#8221; artwork, let&#8217;s explore the possibilities of the stippling technique. It&#8217;s worth considering what&#8217;s possible in a drawing such as this, since stippling has many ways it can be used.<\/p>\n<p>Some of them are:<\/p>\n<ul>\n<li>Creating illusions of sand, soil, dust and similar types of textures;<\/li>\n<li>Drawing clouds, sprays and mist;<\/li>\n<li>Various velvety, fluffy, fleecy textures;<\/li>\n<li>Depicting delicate and, especially, transparent objects, like the wings of insects;<\/li>\n<li>Light objects in a drawing;<\/li>\n<li>Emphasize the dramatic change from a darker to a lighter value;<\/li>\n<li>Accentuate the darker values and strengthen the shadows without overworking the drawing in general;<\/li>\n<li>Anything that has plenty of thin, refined details;<\/li>\n<li>Drawing objects that are far from the viewer and located somewhere in the background.<\/li>\n<\/ul>\n<p>In addition to this list, stippling is a great way to draw anything that has <a href=\"https:\/\/thevirtualinstructor.com\/Value.html\">subtle value changes<\/a>, including a wide range of objects or unobtrusive blurry backgrounds. Even a couple of dots added in the right place may enhance your artwork and make it more interesting.<\/p>\n<\/div>\n<div class=\"featuredimage\"><a href=\"https:\/\/thevirtualinstructor.com\/members\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2019\/11\/newmembersad.jpg\"\/><\/a><\/div>\n<div class=\"contentfix\">\n<h3><strong>How to Develop Stippling in a Drawing<\/strong><\/h3>\n<p>Simply said, stippling is a creation of a pattern that consists of dots.<\/p>\n<p>The more dots are put on the paper and the closer those dots are to each other, the darker the value becomes. By layering more and more dots, we can create an <a href=\"https:\/\/thevirtualinstructor.com\/shading-techniques-basics.html\">illusion of shadow<\/a> and develop a smooth transition between lighter and darker values.<\/p>\n<p>It&#8217;s important to train your eyes and hand to place new dots in the gaps between the existing ones, creating a harmonious pattern. This concept may seem obvious but also complex. It&#8217;s just a matter of balancing areas of the filled and blank surface within the picture plane.<\/p>\n<p>The illustration below shows an example of how the <strong>gaps between the dots<\/strong> can be an expressive tool itself, forming shapes and silhouettes, creating an illusion of relief and <a href=\"https:\/\/thevirtualinstructor.com\/texture.html\">texture<\/a>. That\u2019s why it\u2019s important to use this space wisely.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5299\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/gaps-between-dots.jpg\" alt=\"Balancing dots in a stippled drawing\" width=\"800\" height=\"799\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/gaps-between-dots.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/gaps-between-dots-150x150.jpg 150w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/gaps-between-dots-300x300.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/gaps-between-dots-768x767.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Let\u2019s take a look at some examples of shading with stippling.<\/p>\n<p>In the image below, you&#8217;ll find an interesting effect that is achieved by adding more even layers of dots (from one layer to four):<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5300\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-quantity-of-layers.jpg\" alt=\"Building darker values with stippling\" width=\"800\" height=\"508\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-quantity-of-layers.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-quantity-of-layers-300x191.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-quantity-of-layers-768x488.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-quantity-of-layers-472x300.jpg 472w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Remember, the higher the concentration of dots, the darker the value!<\/p>\n<p>And here is an example of stippling a gradation of value.<\/p>\n<p>I\u2019ve created this gradation in value using the liners of different width numbers: 0.05, 0.1 and 0.3. Bigger dots create a more pronounced, rough pattern, and smaller dots create the impression of a delicate texture that is almost smooth.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5301\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-width.jpg\" alt=\"Varying stippling to create different effects\" width=\"800\" height=\"410\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-width.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-width-300x154.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-width-768x394.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-example-varying-width-500x256.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Adding dots of a different colors expands your possibilities greatly. In this project, we\u2019ll have three subsidiary colors supporting and varying the pattern of black dots.<\/p>\n<p>Together, these colors create a sample full of lovely nuances!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5302\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/colorful-stippling.jpg\" alt=\"Stippling with different colors\" width=\"800\" height=\"549\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/colorful-stippling.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/colorful-stippling-300x206.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/colorful-stippling-768x527.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/colorful-stippling-437x300.jpg 437w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>Become More Confident with Stippling<\/h2>\n<p>It&#8217;s useful to practice stippling before proceeding to your final drawing. You can draw a couple of small rectangles, using a pencil and a ruler, and fill them with dots. Here are some suggestions:<\/p>\n<ul>\n<li>Create an even layer of dots, using any liner you like. Pay attention to the gaps between the dots \u2013 the intervals are as important as the pattern of dots.<\/li>\n<li>Create a transition from lighter to darker value, using just a single liner.<\/li>\n<li>Play with liners of different widths, making larger and smaller dots.<\/li>\n<li>Draw a &#8216;line&#8217; that consists of dots. Try varying the intervals between the dots.<\/li>\n<\/ul>\n<p>I also recommend drawing a shape (for example, a circle\/a sphere) and filling it with dots to create a basic, stylized illusion of volume.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5321\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-exercises.jpg\" alt=\"Stippling Drawing Exercise\" width=\"800\" height=\"609\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-exercises.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-exercises-300x228.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-exercises-768x585.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-exercises-394x300.jpg 394w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>If you&#8217;re going to use colorful dots in a combination with black ones, try creating an appropriate sample too. It&#8217;s important to know how all these dots would look together!<\/p><\/div>\n<div style=\"padding:0% 4% 0% 4%;\">\n<div class=\"promoinsert\">\n<div class=\"promoimage\"><\/div>\n<div class=\"promotext\"><span>The Pen and Ink Experience<\/span><br \/>\n    &#8220;The Pen and Ink Experience&#8221; is a comprehensive drawing course designed to guide absolute beginners to a level of producing professional quality pen and ink drawings.<br \/>\n     <a href=\"https:\/\/thevirtualinstructor.com\/members\/the-pen-and-ink-experience\/\"><\/p>\n<div class=\"contentbutton\">VIEW COURSE<\/div>\n<p>     <\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"contentfix\">\n<h3><strong>Stippling Tips and Advice<\/strong><\/h3>\n<p>Nuances matter and the following list of variables should be considered&#8230;<\/p>\n<ul>\n<li>The way you hold your tool<\/li>\n<li>The amount of pressure you place on the pen<\/li>\n<li>The angle between the pen liner and the paper are important<\/li>\n<li>The placement of the paper. (If you have a habit to rotate your artwork while drawing, this will affect the result you get.)<\/li>\n<\/ul>\n<p>In some cases (especially, if stippling is the only technique used in your artwork), consistency in the way you create your dotted pattern helps to achieve a desired result.<\/p>\n<p>Sometimes having a support for your paper that has an angle instead of drawing just on a flat table makes a difference too. To put it simply, experiment and find out what works best for you.<\/p>\n<p>Many artists prefer to stipple, holding a liner or a nib pen at a 90\u00b0 angle relative to the paper. Changing the angle will affect the character of dots \u2013 they may become distorted or faded. Below is an illustration of this concept.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5322\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/the-angle-of-drawing.jpg\" alt=\"Stippling at an angle\" width=\"800\" height=\"332\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/the-angle-of-drawing.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/the-angle-of-drawing-300x125.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/the-angle-of-drawing-768x319.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/the-angle-of-drawing-500x208.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>While drawing, keep your hand as relaxed as possible and make sure your movements are quick when you lift the pen tip from the paper. The indecisive movements may create unpleasant tail-like marks that result in sloppy, irregular commas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5303\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/correct-and-wrong-stippling.jpg\" alt=\"Sloppy stippling\" width=\"800\" height=\"382\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/correct-and-wrong-stippling.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/correct-and-wrong-stippling-300x143.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/correct-and-wrong-stippling-768x367.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/correct-and-wrong-stippling-500x239.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>However, there are no strict rules in art. If you like drawing dots with spontaneous \u2018tails\u2019 and this gets you the desired result, please feel free to continue doing what makes you happy!<\/p>\n<p>Make light touches with your liner. The process of stippling may make your hand a little tired. Taking a short break with a couple of exercises for the fingers and wrists is a good idea. Plus, an excessively hard pressure on your tool will damage its tip and reduce its life span.<\/p>\n<p>If you have to create big, bold dots, it\u2019s a better to use a liner with a wider tip that makes such dots naturally, rather than trying to create those big marks with a thinner-width liner.<\/p>\n<p>While developing values, try to place your dots in a spontaneous, slightly chaotic way. The result will have a more natural feel. Sometimes the better option is to keep to a defined pattern and place dots in an even row, but these cases are rare and the result may look &#8220;stiff&#8221; and somewhat mechanical.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5323\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/ways-to-apply-stipplig.jpg\" alt=\"Stippling techniques\" width=\"800\" height=\"319\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/ways-to-apply-stipplig.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/ways-to-apply-stipplig-300x120.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/ways-to-apply-stipplig-768x306.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/ways-to-apply-stipplig-500x199.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Stippling is a time-consuming technique and it requires patience and dedication. If you&#8217;re a beginner, I recommend starting with small exercises and smaller artworks, varying the rhythm and pressure to find what fits you. Take breaks as often as you feel necessary.<\/p>\n<p>Stippling can be a kind of meditation or a way to reach your own &#8220;state of flow&#8221;.<\/p>\n<p><strong>See also:<\/strong> <a href=\"https:\/\/thevirtualinstructor.com\/ink-drawing-tutorials.html\">Pen and Ink Drawing Lessons<\/a><\/p>\n<h2>How to Combine Stippling, Lines, and Hatching<\/h2>\n<p>If you are interested in the \u201cpure\u201d stippling technique with no inclusion of lines or hatching, feel free to skip this part. Here we\u2019re going to explore a couple of simple, yet effective, ways to create harmony between different inking techniques.<\/p>\n<p>One of the advantages of combining techniques is speeding up your process. Adding some hatching allows you to save time, which is also a bonus for anyone lacking patience.<\/p>\n<p>The first method applies to <strong>the contours<\/strong> in the drawing. You can use both dots and short hatches to create a broken, dashed line.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5304\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/contours-with-gaps.jpg\" alt=\"Stippling contours with hatching\" width=\"800\" height=\"256\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/contours-with-gaps.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/contours-with-gaps-300x96.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/contours-with-gaps-768x246.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/contours-with-gaps-500x160.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>I personally like this trick because it helps to make the contours in your drawing quite clear and &#8220;readable&#8221;. Stippled artworks can often have a slight &#8220;blurry&#8221; feel and creating clear contours can be difficult.<\/p>\n<p>The closer an object appears in a drawing, the thicker and more continual the contour line. Objects that are far in the distance require a thinner edge and more dots in the contours. This creates a feeling of atmosphere.<\/p>\n<p>Even the parts of a contour line that are continuous should feel organic \u2013 a strict line, like one drawn with a ruler, may become a conflicting element.<\/p>\n<p>Another great approach is to <strong>place hatching on top of a dotted layer<\/strong>. The opposite way works too. You can create a layer of hatches and then cover it with dots.<\/p>\n<p>The type of hatching used is up to you. Sometimes, describing a contour with hatching is the best option and in other cases, just a layer of simple parallel hatching works.<\/p>\n<p>You can see an example of this combination in the image below.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5305\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-together.jpg\" alt=\"Stippling and hatching together\" width=\"800\" height=\"429\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-together.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-together-300x161.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-together-768x412.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-together-500x268.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>It\u2019s important to choose your tools wisely. Hatched marks that are too thick will be distracting. That\u2019s why I prefer <em>using a thinner ink liner for hatching and wider liner for stippling<\/em>. The sample above was made with 0.05 and 0.1 ink liners and the result is more harmonious.<\/p>\n<p>Using this approach, you can add depth to your drawings, accentuate the relief of objects, and create an illusion of volume.<\/p>\n<p>A combination of dots and hatching is a powerful tool for creating the illusion of texture. Below you\u2019ll find an illustration of how a layer of stippling and groups of short hatched marks work together to develop texture and relief.<\/p>\n<p>I used the 0.05 liner for hatching and the 0.1 liner for stippling.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5324\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-texture.jpg\" alt=\"Stippling and hatching for texture\" width=\"800\" height=\"442\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-texture.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-texture-300x166.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-texture-768x424.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/stippling-and-hatching-texture-500x276.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Mixing techniques with a success requires skill and experience. Let me share with you one of my experiences.<\/p>\n<p>Many years ago, I experimented with an illustration depicting various characters in a medieval castle. I used hatching for the interior, clothes, and all the objects. But when it came to shading the faces, I decided that my nib\u2019s tip is too wide \u2013 and went for stippling.<\/p>\n<p>The result wasn\u2019t as pleasing as I imagined. The dots created a weird, uneven texture that contrasted with everything else in the drawing.<\/p>\n<p>There&#8217;s nothing wrong in making poor decisions that don\u2019t work. We learn this way! So don&#8217;t be afraid to experiment.<\/p>\n<h2>Drawing the Dragonfly<\/h2>\n<p>Now we&#8217;re ready to move forward. Let\u2019s start with <em>a pencil sketch<\/em>.<\/p>\n<p>My goal is a stylized artwork, so I won\u2019t be using any particular reference photo of a dragonfly. But if you feel it necessary to use a photo reference, please do.<\/p>\n<p>I outline the main contours of the dragonfly, constructing it with loose shapes. I also add the general contours of the surrounding botanical elements. A thin border around the outer edges is left to balance and frame the artwork.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5308\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing-starting.jpg\" alt=\"Pencil sketch of a dragonfly before adding ink\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing-starting.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing-starting-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing-starting-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>The dragonfly wings are the <a href=\"https:\/\/thevirtualinstructor.com\/blog\/emphasis-a-principle-of-art\">focal point of the drawing<\/a>. They are located in the center of the artwork and feature a whimsical, refined pattern. Colorful dots are to be added to the wings and portions of the body. But before we proceed to the inking steps, we have to better understand the pattern of the wings.<\/p>\n<p>Below you\u2019ll find an image of a portion of the wing. This is just a stylized option since dragonfly wings are variable in size, proportion, and pattern.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5306\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing.jpg\" alt=\"Dragonfly wings drawing\" width=\"800\" height=\"368\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-300x138.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-768x353.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-500x230.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>It may appear slightly overwhelming. To fill the shape of the wing with smaller elements, an artist has to see and understand the smaller segments. This set can look like this:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5307\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-segments.jpg\" alt=\"Smaller segments in a dragonfly wing\" width=\"800\" height=\"368\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-segments.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-segments-300x138.jpg 300w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-segments-768x353.jpg 768w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/dragonfly-wing-segments-500x230.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>The close-up above is created with thin lines and dots.<\/p>\n<p>In our finished artwork, where the dragonfly has context and is located at some distance, we won\u2019t be able to use lines to convey all the tiny details. That\u2019s why my suggestion is stippling. Let\u2019s continue with the underdrawing.<\/p>\n<p>I refine the contours of the dragonfly and then add details to make the insect look believable. The segments of the abdomen, thorax, and wings are all addressed. Feel free to invent some individual elements to add interest to your dragonfly!<\/p>\n<p>I also define the natural environment by drawing the contours of the long leaves, twigs and a fragment of a tree. The goal is to fill the bottom part of the artwork with interesting plant life.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5309\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing.jpg\" alt=\"Pencil underdrawing of a dragonfly\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/pencil-underdrawing-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Let\u2019s start <strong>inking<\/strong>!<\/p>\n<p>With the <strong>0.1<\/strong> ink liner (black) I apply dots to the dragonfly\u2019s head, including its big eyes and body. The lighter areas, like the top of the head and central line of the &#8220;tail&#8221;, require fewer dots.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5310\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/1-drawing-dragonfly-ink-stippling-head.jpg\" alt=\"Initial stippled marks\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/1-drawing-dragonfly-ink-stippling-head.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/1-drawing-dragonfly-ink-stippling-head-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/1-drawing-dragonfly-ink-stippling-head-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>I outline the contours with dots and short lines, using the<strong> 0.1<\/strong> liner.<\/p>\n<p>I also accent the darker areas of the environmental elements, applying dots and keeping the intervals approximately equal. The only exception is some spots of the tree bark texture.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5311\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/2-drawing-dragonfly-ink-stippling-starting-environment.jpg\" alt=\"Stippling ink to draw plants and trees\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/2-drawing-dragonfly-ink-stippling-starting-environment.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/2-drawing-dragonfly-ink-stippling-starting-environment-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/2-drawing-dragonfly-ink-stippling-starting-environment-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>I add another layer of <strong>0.1<\/strong> stippling to the elements in the bottom part of the drawing. It\u2019s time to increase the contrast, but we&#8217;ll work slowly to do so. When it comes to ink, even small dots aren\u2019t easy to remove!<\/p>\n<p>I also use short hatches to add the details of the tree texture and draw the small circles of the twig\u2019s bark pattern on the left side of the drawing.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5312\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/3-drawing-dragonfly-ink-stippling-adding-depth.jpg\" alt=\"Adding depth with stippling\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/3-drawing-dragonfly-ink-stippling-adding-depth.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/3-drawing-dragonfly-ink-stippling-adding-depth-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/3-drawing-dragonfly-ink-stippling-adding-depth-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>I add the groups of thin hatches made with <strong>0.05<\/strong> liner to the darker areas, adding depth to the drawing. I pay a special attention to the cast shadow under the dragonfly and everything that is near the bottom edge of the artwork.<\/p>\n<p>The objects that belong in the foreground should be detailed since this area is closer to the viewer. I leave the dragonfly\u2019s segmented abdomen (the \u2018tail\u2019) relatively light, allowing it to blend with the background slightly.<\/p>\n<p>I also add groups of small dots to the background, creating a blurry effect.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5313\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/4-drawing-dragonfly-ink-stippling-adding-thin-hatches-and-small-dots.jpg\" alt=\"Stippling the body of the dragonfly\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/4-drawing-dragonfly-ink-stippling-adding-thin-hatches-and-small-dots.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/4-drawing-dragonfly-ink-stippling-adding-thin-hatches-and-small-dots-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/4-drawing-dragonfly-ink-stippling-adding-thin-hatches-and-small-dots-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>I develop the wings with <strong>colorful dots<\/strong>, mixing the light blue, dark blue and purple. I also some of the dots to the dragonfly\u2019s eyes and body.<\/p>\n<p>There is an order in creating colorful lines and patterns. The upper part of the wings is mainly light blue, then dark blue, and finally, purple \u2013 closer to the head. Of course, you can also include additional colors if you like.<\/p>\n<p>The individual dots here are quite larger since I&#8217;m working with the .5 pens, which are 0.45 mm in width. Although the pens have a consistent width, you can vary the pressure. A lighter touch creates a smaller dot.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5314\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/5-drawing-dragonfly-ink-stippling-adding-colors.jpg\" alt=\"Stippling with color ink\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/5-drawing-dragonfly-ink-stippling-adding-colors.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/5-drawing-dragonfly-ink-stippling-adding-colors-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/5-drawing-dragonfly-ink-stippling-adding-colors-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>The colorful dots attract too much attention and stand out too much on their own. That\u2019s why I dilute them with small black dots made with the <strong>0.05\u00a0<\/strong>black liner. The goal is to create an application that mutes the pure brightness of blue and purple dots.<\/p>\n<p>Subtle black stippling creates a pleasant smoothing effect and unites the wing in appearance. I apply more dots to bottom sides of the wing (the lines that are closer to the head).<\/p>\n<p>The wings are transparent, so I add a hint of them on the body and leg that are visible.<\/p>\n<p>I also make sure to darken the distinctive black spots near the tips of the wings.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5315\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/6-drawing-dragonfly-ink-stippling-adding-black-lines-and-dots.jpg\" alt=\"Adding black dots to mute colors with stippling\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/6-drawing-dragonfly-ink-stippling-adding-black-lines-and-dots.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/6-drawing-dragonfly-ink-stippling-adding-black-lines-and-dots-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/6-drawing-dragonfly-ink-stippling-adding-black-lines-and-dots-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>As a finishing touch, I add some <strong>light blue<\/strong> and <strong>purple<\/strong> dots to the head and body of the dragonfly.<\/p>\n<p>To increase the contrast, I add more <strong>0.05<\/strong>\u00a0black hatches to the cast shadow under the dragonfly.<\/p>\n<p>The artwork is now complete! I considered filling the upper part of the artwork in the background with small dots, but eventually decided against it. My goal is to leave the drawing as light, fresh, and atmospheric as possible.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5316\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/7-drawing-dragonfly-ink-stippling-completing-the-artwork.jpg\" alt=\"Pen and Ink Drawing of a Dragonfly\" width=\"800\" height=\"914\" srcset=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/7-drawing-dragonfly-ink-stippling-completing-the-artwork.jpg 800w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/7-drawing-dragonfly-ink-stippling-completing-the-artwork-263x300.jpg 263w, https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2018\/06\/7-drawing-dragonfly-ink-stippling-completing-the-artwork-768x877.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>Conclusion<\/h2>\n<p>Congratulations \u2013 we\u2019ve created a nature-inspired pen and ink drawing with stippling! Thanks for joining me on this wonderful journey as we explored ways to apply stippling and balance the colors. We\u2019ve covered a lot, and I hope you discovered some useful tips for your creative process.<\/p>\n<p>If this tutorial inspired you, but you feel like some of the steps are too complex, please take a look at the great in-depth course <a href=\"https:\/\/thevirtualinstructor.com\/members\/the-pen-and-ink-experience\/\">The Pen and Ink Experience<\/a> here on The Virtual Instructor. It explains the fundamentals and provides the basic building blocks of drawing with pen and ink.<\/p>\n<p>I wish you much creative joy and inspiration!<\/p>\n<\/div>\n<div style=\"padding:0% 4% 0% 4%;clear:both;\">\n<div class=\"promoinsert\">\n<div class=\"promoimagenews\"><\/div>\n<div class=\"promotext\"><span>Like This Lesson?<\/span><br \/>If so, join over 36,000 others that receive our newsletter with new drawing and painting lessons. Plus, check out three of our course videos and ebooks for free.<br \/><script src=\"\/\/static.leadpages.net\/leadboxes\/current\/embed.js\" async defer><\/script> <button data-leadbox-popup=\"v2CJtikZQDhPy8h6xv3hv4\" data-leadbox-domain=\"thevirtualinstructor.lpages.co\" style=\"background: rgb(230, 125, 55);border-color: rgb(230, 125, 55);border-radius: 10px;color: #FFFFFF;display: inline-block;vertical-align: middle;padding: 16px 32px;min-width: 150px;border: 1px solid rgb(230, 125, 55);width:70%;margin-top:8%;font-size: 1rem;font-family: Helvetica, Arial, sans-serif;text-align: center;outline: 0;line-height: 1;cursor: pointer;-webkit-transition: background 0.3s, color 0.3s, border 0.3s;transition: background 0.3s, color 0.3s, border 0.3s;  box-shadow: 0px 0px 0px rgba(0, 0, 0, 0.6);\">YES! I&#8217;M IN!<\/button><\/div>\n<\/div>\n<\/div>\n<div style=\"padding:2% 4% 0% 4%;clear:both;\">\n<div class=\"MoreLessons\">More Lessons You&#8217;ll Love&#8230;<\/div>\n<div class=\"removep\">\n<div class=\"FlexContainer bluelink\">\n<div class=\"FlexOneThird hovereffect\"><a href=\"https:\/\/thevirtualinstructor.com\/blog\/7-must-have-pen-and-ink-supplies\"><\/p>\n<div class=\"card--content\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2019\/02\/musthavepenandinksuppliessmall.jpg\" alt=\"7 Must Have Pen and Ink Supplies\"\/><\/p>\n<div class=\"cardtitle\"><strong>7 Must Have Pen and Ink Supplies<\/strong><\/div>\n<div style=\"clear:both;\"><\/div>\n<\/div>\n<p><\/a><\/div>\n<div class=\"FlexOneThird hovereffect\"><a href=\"https:\/\/thevirtualinstructor.com\/blog\/pen-and-ink-lesson-portrait-drawing\"><\/p>\n<div class=\"card--content\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2019\/02\/pen-ink-lesson-portrait-drawingsmall.jpg\" alt=\"Pen and Ink Portrait Lesson\"\/><\/p>\n<div class=\"cardtitle\"><strong>Pen and Ink Portrait Lesson<\/strong><\/div>\n<div style=\"clear:both;\"><\/div>\n<\/div>\n<p><\/a><\/div>\n<div class=\"FlexOneThird hovereffect\"><a href=\"https:\/\/thevirtualinstructor.com\/blog\/how-to-draw-a-lizard-pen-ink\"><\/p>\n<div class=\"card--content\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/blog\/wp-content\/uploads\/2019\/02\/drawlizardinksmall.jpg\" alt=\"How to Draw a Lizard with Pen and Ink\"\/><\/p>\n<div class=\"cardtitle\"><strong>How to Draw a Lizard with Pen and Ink<\/strong><\/div>\n<div style=\"clear:both;\"><\/div>\n<\/div>\n<p><\/a><\/div>\n<div class=\"FlexOneThird hovereffect\"><a href=\"https:\/\/thevirtualinstructor.com\/line-wash-pen-watercolor-octopus.html\"><\/p>\n<div class=\"card--content\"><img decoding=\"async\" src=\"https:\/\/thevirtualinstructor.com\/images\/lineandwashoctopuslesson.jpg\" alt=\"Octopus with Line and Wash\"\/><\/p>\n<div class=\"cardtitle\"><strong>Line and Wash Octopus<\/strong><\/div>\n<div style=\"clear:both;\"><\/div>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Stippling is the process of using small countless dots to develop an ink drawing. It is a well-known and common inking technique. Drawings that consist of a great number of small dots can be quite impressive and have a unique feel. Beginning ink artists usually choose stippling as a starting point technique because it&#8217;s forgiving [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":5346,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[92],"tags":[],"class_list":["post-5296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-drawing"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Learn how to draw a colorful dragonfly with pen and ink stippling in this step by step lesson and tutorial. Create several practice sketches and learn how to use stippling to create a variety of textures.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Eugenia Hauss\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/thevirtualinstructor.com\/blog\/draw-a-dragonfly-pen-and-ink-stippling\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"TheVirtualInstructor Blog |\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Drawing a Dragonfly - Stippling with Pen and Ink\" \/>\n\t\t<meta property=\"og:description\" content=\"Learn how to draw a colorful dragonfly with pen and ink stippling in this step by step lesson and tutorial. Create several practice sketches and learn how to use stippling to create a variety of textures.\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/thevirtualinstructor.com\/blog\/draw-a-dragonfly-pen-and-ink-stippling\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2018-06-16T21:24:40+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2019-06-28T00:41:16+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Drawing a Dragonfly - Stippling with Pen and Ink\" \/>\n\t\t<meta name=\"twitter:description\" content=\"Learn how to draw a colorful dragonfly with pen and ink stippling in this step by step lesson and tutorial. 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