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	<title>Ashley Hurst | TheVirtualInstructor Blog</title>
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		<title>Painting a Fantasy Image with a Model</title>
		<link>https://thevirtualinstructor.com/blog/painting-a-fantasy-image-with-a-model</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Mon, 20 Sep 2021 17:53:03 +0000</pubDate>
				<category><![CDATA[Digital Art]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[art reference]]></category>
		<category><![CDATA[fantasy art]]></category>
		<category><![CDATA[modeling clay]]></category>
		<category><![CDATA[Sci-fi illustration]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=10045</guid>

					<description><![CDATA[<p>Painting and drawing fantasy imagery is fun and creative. However, one major challenge to doing so is a lack of references. Portrait and landscape artists always have a reference to work from. Unfortunately, artists that paint fairies and dragons do not. References give an artist confidence to know that what he/she is painting will be [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/painting-a-fantasy-image-with-a-model">Painting a Fantasy Image with a Model</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>3 Tips to Improve Your Figure Drawing</title>
		<link>https://thevirtualinstructor.com/blog/3-tips-to-improve-your-figure-drawing</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Mon, 10 May 2021 14:04:17 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[element of art]]></category>
		<category><![CDATA[figure drawing]]></category>
		<category><![CDATA[Negative Shapes]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=9886</guid>

					<description><![CDATA[<p>Drawing the figure from life is challenging and exciting. Different than drawing from a photograph, life drawing is time sensitive. One must capture a fleeting moment before the light changes or before the model gets tired. A photo, on the other hand, can last forever, allowing the artist to work at a leisurely a pace. [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/3-tips-to-improve-your-figure-drawing">3 Tips to Improve Your Figure Drawing</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>Drawing With Water Soluble Crayons</title>
		<link>https://thevirtualinstructor.com/blog/drawing-with-water-soluble-crayons</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Fri, 03 Jul 2020 16:59:43 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=10284</guid>

					<description><![CDATA[<p>What do water soluble crayons and the Swiss Army Knife have in common? Three things &#8211; variety, versatility and Switzerland, of course. I’m specifically talking about the Swiss made, water soluble crayons by Caran d’ Ache. In this lesson, we&#8217;ll take a quick look at this interesting medium, see why these are not your &#8220;ordinary [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/drawing-with-water-soluble-crayons">Drawing With Water Soluble Crayons</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>Oil Painting &#8211; Vegetable Still Life</title>
		<link>https://thevirtualinstructor.com/blog/oil-painting-vegetable-still-life</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Mon, 25 May 2020 14:58:27 +0000</pubDate>
				<category><![CDATA[Painting]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=10146</guid>

					<description><![CDATA[<p>Fruits and vegetables have always been a popular motif in art. From the walls of Pompei to the canvases of Cezanne, artists have enjoyed the challenge and satisfaction of capturing the subtle variations of color and form as observed in fruits and vegetables. Here&#8217;s an example of a fresco from ancient Pompei, circa 70 AD&#8230; [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/oil-painting-vegetable-still-life">Oil Painting – Vegetable Still Life</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>Watercolor Landscape &#8211; A Few Tips to Make the Process Easier</title>
		<link>https://thevirtualinstructor.com/blog/an-easy-approach-to-watercolor-painting</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Thu, 20 Feb 2020 12:00:59 +0000</pubDate>
				<category><![CDATA[Painting]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=9747</guid>

					<description><![CDATA[<p>Do you find watercolor painting frustrating? It doesn’t have to be. Watercolor is a beautiful and unique medium. The characteristics of watercolor that attract some artists are the very same characteristics that repel others. In this lesson, we&#8217;ll look at a watercolor painting from start to finish and present a few solutions to common “problems” [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/an-easy-approach-to-watercolor-painting">Watercolor Landscape – A Few Tips to Make the Process Easier</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>Wet into Wet &#8211; Mixing Paint on the Canvas</title>
		<link>https://thevirtualinstructor.com/blog/wet-into-wet-mixing-paint-on-the-canvas</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Thu, 06 Feb 2020 12:00:39 +0000</pubDate>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[glazing]]></category>
		<category><![CDATA[Oil Painting]]></category>
		<category><![CDATA[scumbling]]></category>
		<category><![CDATA[wet-into-wet]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=9582</guid>

					<description><![CDATA[<p>There are many ways to make a painting. Most painters today pre-mix a range of colors on their palette at the beginning of a painting. Some painters start with a drawing while others forgo that step altogether. Some thin their paints with medium. So many decisions. All a person can do is try the many [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/wet-into-wet-mixing-paint-on-the-canvas">Wet into Wet – Mixing Paint on the Canvas</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
			</item>
		<item>
		<title>Managing an Art Classroom</title>
		<link>https://thevirtualinstructor.com/blog/managing-an-art-classroom</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Thu, 23 Jan 2020 12:00:47 +0000</pubDate>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Art class]]></category>
		<category><![CDATA[Art education]]></category>
		<category><![CDATA[classroom management]]></category>
		<category><![CDATA[differentiation]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=7518</guid>

					<description><![CDATA[<p>Being a good art teacher means much more than being a good artist. A characteristic common to good art teachers is proper classroom management. So, what does a well-managed classroom look like? What does a well-managed classroom do? The formula for a well managed classroom has many variables. A few characteristics common to well managed [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/managing-an-art-classroom">Managing an Art Classroom</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
			</item>
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		<title>Draw and Paint Like You&#8217;re Writing a Story</title>
		<link>https://thevirtualinstructor.com/blog/draw-and-paint-like-youre-writing-a-story</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Thu, 16 Jan 2020 12:00:19 +0000</pubDate>
				<category><![CDATA[Composition]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Painting]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=9202</guid>

					<description><![CDATA[<p>Sometimes, a view finder and beautiful scenery is all that is needed to get started on a drawing or painting. Other times, a work of art may require the artist to piece together a composition from disassociated parts. In such a case, a painting is like an essay or a story. Each pictorial element is [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/draw-and-paint-like-youre-writing-a-story">Draw and Paint Like You’re Writing a Story</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
			</item>
		<item>
		<title>Beyond The Pinch Pot</title>
		<link>https://thevirtualinstructor.com/blog/beyond-the-pinch-pot</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Thu, 09 Jan 2020 12:00:35 +0000</pubDate>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[ceramics]]></category>
		<category><![CDATA[clay sculpture]]></category>
		<category><![CDATA[pinch pot]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=9410</guid>

					<description><![CDATA[<p>Do you remember the first sculpture you made from clay? Was it a pinch pot? Pinch pots are the easiest object to make because the process is almost intuitive. A pinch pot, however, can also serve as the first step in the creation of more exciting sculptures. This lesson outlines the steps to create one [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/beyond-the-pinch-pot">Beyond The Pinch Pot</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>A Special Baroque Painting Technique</title>
		<link>https://thevirtualinstructor.com/blog/baroque-painting-technique</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Tue, 31 Dec 2019 12:00:49 +0000</pubDate>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[Baroque Painting]]></category>
		<category><![CDATA[Black Canvas]]></category>
		<category><![CDATA[Diego Velazquez]]></category>
		<guid isPermaLink="false">https://thevirtualinstructor.com/blog/?p=9265</guid>

					<description><![CDATA[<p>Have you ever asked yourself why artists paint directly on white canvas? The answer lies in the not-so-distant past. The often-celebrated Impressionists (working in the 19th century) preferred white canvases because they felt that colors looked brighter when painted over a white surface. Impressionists also worked in the open air, in an attempt to capture fleeting [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/baroque-painting-technique">A Special Baroque Painting Technique</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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