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	<title>Drawing | TheVirtualInstructor Blog</title>
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		<title>How To Draw Texture</title>
		<link>https://thevirtualinstructor.com/blog/how-to-draw-texture</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Tue, 09 Jan 2018 21:38:28 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[art instruction]]></category>
		<category><![CDATA[element of art]]></category>
		<category><![CDATA[rough]]></category>
		<category><![CDATA[smooth]]></category>
		<category><![CDATA[texture]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=4427</guid>

					<description><![CDATA[<p>Introduction to Texture Not once did my drawing mentor talk about texture with me. Texture is one of the seven elements of art and design. So why did my drawing teacher never discuss it? The answer is this &#8211; texture is subordinate to all the other elements of art. Simply put, texture is both the least [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/how-to-draw-texture">How To Draw Texture</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>How To Make A Boring Subject Exciting In A Drawing or Painting</title>
		<link>https://thevirtualinstructor.com/blog/how-to-make-a-boring-subject-exciting-in-a-drawing-or-painting</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Tue, 26 Dec 2017 14:29:59 +0000</pubDate>
				<category><![CDATA[Composition]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[boring subject]]></category>
		<category><![CDATA[complementary color]]></category>
		<category><![CDATA[exciting art]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=4397</guid>

					<description><![CDATA[<p>The subjects we choose to depict in our art often contribute to the success or failure of the piece. Sometimes we put so much emphasis on our subject that it can even hinder getting started. We want every work that we create to be exciting so it&#8217;s natural to think that our subjects must be [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/how-to-make-a-boring-subject-exciting-in-a-drawing-or-painting">How To Make A Boring Subject Exciting In A Drawing or Painting</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
			</item>
		<item>
		<title>How to Prevent Artist&#8217;s Tape From Damaging Your Paper</title>
		<link>https://thevirtualinstructor.com/blog/how-to-prevent-artists-tape-from-damaging-your-paper</link>
					<comments>https://thevirtualinstructor.com/blog/how-to-prevent-artists-tape-from-damaging-your-paper#comments</comments>
		
		<dc:creator><![CDATA[Matt Fussell]]></dc:creator>
		<pubDate>Tue, 31 Oct 2017 12:26:21 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Quick Tips]]></category>
		<category><![CDATA[acrylic]]></category>
		<category><![CDATA[techniques]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[watercolor]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=4240</guid>

					<description><![CDATA[<p>FREE COURSE VIDEOS JOIN THE VIRTUAL INSTRUCTOR Get ALL of our courses, ebooks, live lessons, critiques, lesson plans and more today. LEARN MORE FREE COURSE VIDEOS If you want those nice, clean edges around your art, then you&#8217;ve likely used or at least considered using a form of masking tape. The masking tape, when used [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/how-to-prevent-artists-tape-from-damaging-your-paper">How to Prevent Artist’s Tape From Damaging Your Paper</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
					<wfw:commentRss>https://thevirtualinstructor.com/blog/how-to-prevent-artists-tape-from-damaging-your-paper/feed</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
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		<title>Six Reasons to Draw On Toned Paper</title>
		<link>https://thevirtualinstructor.com/blog/six-reasons-to-draw-on-toned-paper</link>
		
		<dc:creator><![CDATA[Ashley Hurst]]></dc:creator>
		<pubDate>Mon, 02 Oct 2017 14:20:59 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[grey paper drawing]]></category>
		<category><![CDATA[highlights]]></category>
		<category><![CDATA[still life drawing on grey paper]]></category>
		<category><![CDATA[toned paper]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=4129</guid>

					<description><![CDATA[<p>FREE COURSE VIDEOS BECOME A MEMBER BECOME A MEMBER JOIN THE VIRTUAL INSTRUCTOR Get ALL of our courses, ebooks, live lessons, critiques, lesson plans and more today. START FREE TRIAL FREE COURSE VIDEOS Why Is Paper White? Walk into any art supply store and you will find aisles of canvases and sketchbooks, nearly all of [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/six-reasons-to-draw-on-toned-paper">Six Reasons to Draw On Toned Paper</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
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		<title>The New Blue &#8211; YInMn &#8211; A Brilliant Primary is Born</title>
		<link>https://thevirtualinstructor.com/blog/the-new-blue-yinmn-a-brilliant-primary-is-born</link>
					<comments>https://thevirtualinstructor.com/blog/the-new-blue-yinmn-a-brilliant-primary-is-born#comments</comments>
		
		<dc:creator><![CDATA[Matt Fussell]]></dc:creator>
		<pubDate>Thu, 01 Jun 2017 20:59:56 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[color theory]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=3975</guid>

					<description><![CDATA[<p>Have you got the blues? You know &#8211; Cobalt, Ultramarine, Cerulean, Phthalo&#8230; YInMin &#8211; what? That&#8217;s right &#8211; YInMin. It&#8217;s a new blue, well at least a new pigment. And before you get all excited and run out to the art store to buy a tube, you should know that it&#8217;s not commercially available yet [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/the-new-blue-yinmn-a-brilliant-primary-is-born">The New Blue – YInMn – A Brilliant Primary is Born</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
					<wfw:commentRss>https://thevirtualinstructor.com/blog/the-new-blue-yinmn-a-brilliant-primary-is-born/feed</wfw:commentRss>
			<slash:comments>4</slash:comments>
		
		
			</item>
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		<title>Charcoal Landscape Live Lesson Excerpts</title>
		<link>https://thevirtualinstructor.com/blog/charcoal-landscape-live-lesson-excerpts</link>
		
		<dc:creator><![CDATA[Matt Fussell]]></dc:creator>
		<pubDate>Fri, 31 Mar 2017 13:24:09 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[charcoal]]></category>
		<category><![CDATA[landscape]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=3949</guid>

					<description><![CDATA[<p>FREE COURSE VIDEOS JOIN THE VIRTUAL INSTRUCTOR Get ALL of our courses, ebooks, live lessons, critiques, lesson plans and more today. LEARN MORE FREE COURSE VIDEOS In this recorded Live Lesson series, we explore drawing a landscape with charcoal. The scene is quite wooded which results in some nice contrast between the light and dark [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/charcoal-landscape-live-lesson-excerpts">Charcoal Landscape Live Lesson Excerpts</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
		
		
			</item>
		<item>
		<title>Is It OK to Draw and Paint From Photos?</title>
		<link>https://thevirtualinstructor.com/blog/is-it-ok-to-draw-and-paint-from-photos</link>
					<comments>https://thevirtualinstructor.com/blog/is-it-ok-to-draw-and-paint-from-photos#comments</comments>
		
		<dc:creator><![CDATA[Matt Fussell]]></dc:creator>
		<pubDate>Tue, 08 Nov 2016 18:25:22 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Photos]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=3834</guid>

					<description><![CDATA[<p>The world of art has its fair share of controversies that extend beyond the realm of subject matter. Artists typically have their own opinions on process, ideas, and materials and many of them are extremely passionate over their beliefs. Some people believe that certain colors should be used in a palette and others excluded. Some [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/is-it-ok-to-draw-and-paint-from-photos">Is It OK to Draw and Paint From Photos?</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
					<wfw:commentRss>https://thevirtualinstructor.com/blog/is-it-ok-to-draw-and-paint-from-photos/feed</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>7 Drawing Techniques For Accuracy</title>
		<link>https://thevirtualinstructor.com/blog/7-drawing-techniques-for-accuracy</link>
					<comments>https://thevirtualinstructor.com/blog/7-drawing-techniques-for-accuracy#comments</comments>
		
		<dc:creator><![CDATA[Matt Fussell]]></dc:creator>
		<pubDate>Sun, 02 Oct 2016 16:09:04 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[basics]]></category>
		<category><![CDATA[figure drawing]]></category>
		<category><![CDATA[techniques]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=3778</guid>

					<description><![CDATA[<p>Drawing is about observation. And if you want to improve your drawing skills, then you must focus on how you see the subjects that you draw. It seems simple enough &#8211; &#8220;draw what you see&#8221;.  We&#8217;ve all heard it before and it is a fine suggestion because it does work. We do need to draw [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/7-drawing-techniques-for-accuracy">7 Drawing Techniques For Accuracy</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
					<wfw:commentRss>https://thevirtualinstructor.com/blog/7-drawing-techniques-for-accuracy/feed</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>Why You Believe You Can&#8217;t Draw and What To Do About It</title>
		<link>https://thevirtualinstructor.com/blog/why-you-believe-you-cant-draw-and-what-to-do-about-it</link>
					<comments>https://thevirtualinstructor.com/blog/why-you-believe-you-cant-draw-and-what-to-do-about-it#comments</comments>
		
		<dc:creator><![CDATA[Matt Fussell]]></dc:creator>
		<pubDate>Thu, 25 Aug 2016 13:39:50 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[instruction]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=3732</guid>

					<description><![CDATA[<p>Why is it that such a large majority of people believe that they simply cannot draw? What exactly happens to us that makes us believe this untrue statement? If you ask a room of one hundred average adults to raise their hands if they believe they can draw, only a handful will raise their hands. [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/why-you-believe-you-cant-draw-and-what-to-do-about-it">Why You Believe You Can’t Draw and What To Do About It</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
					<wfw:commentRss>https://thevirtualinstructor.com/blog/why-you-believe-you-cant-draw-and-what-to-do-about-it/feed</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>Drawing on a Flat Or Tilted Surface &#8211; Which is Best?</title>
		<link>https://thevirtualinstructor.com/blog/drawing-on-a-flat-or-tilted-surface-which-is-best</link>
					<comments>https://thevirtualinstructor.com/blog/drawing-on-a-flat-or-tilted-surface-which-is-best#comments</comments>
		
		<dc:creator><![CDATA[Matt Fussell]]></dc:creator>
		<pubDate>Sun, 07 Aug 2016 15:07:13 +0000</pubDate>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[easel]]></category>
		<guid isPermaLink="false">http://thevirtualinstructor.com/blog/?p=3710</guid>

					<description><![CDATA[<p>Some of us draw on flat surfaces, like a table, while others prefer to draw on a tilted surface, like an easel or a drafting table. But which is better? Which setup leads to more accuracy in our drawings? In this post, we&#8217;ll look at the pros and cons of each arrangement and I&#8217;ll let [&#8230;]</p>
The post <a href="https://thevirtualinstructor.com/blog/drawing-on-a-flat-or-tilted-surface-which-is-best">Drawing on a Flat Or Tilted Surface – Which is Best?</a> first appeared on <a href="https://thevirtualinstructor.com/blog">TheVirtualInstructor Blog</a>.]]></description>
		
					<wfw:commentRss>https://thevirtualinstructor.com/blog/drawing-on-a-flat-or-tilted-surface-which-is-best/feed</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
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