The Member's Minute: Episode 572
Exploring Technique, Composition, and Creative Growth
In this week’s edition of the Members Minute, instructor Matt takes a close look at two compelling artworks submitted by members of the community. The session begins with a revisit to a previously critiqued watercolor painting by June, followed by an in-depth critique of an innovative oil pastel drawing by Terri. Together, these examples highlight the power of revision, thoughtful composition, and creative experimentation.
Revisiting Growth Through Revision
The lesson opens with a comparison between June’s original watercolor painting and her revised version. After applying feedback from a prior critique, June chose to recreate the piece from start to finish. The improvements are immediately noticeable. The updated composition features stronger contrast in value, more believable proportions, and improved framing of the subject within its environment.
Matt notes that the added contextual details—particularly in the surrounding grassy areas—enhance the composition and provide better visual balance. While he suggests that some lighter values could be pushed further for even greater contrast, the revised piece clearly demonstrates how constructive critique and persistence can lead to meaningful artistic growth.
An Unexpected Medium with Impressive Results
The focus then shifts to Terri’s artwork, an oil pastel drawing that remarkably resembles a watercolor painting. At first glance, the delicate application and transparency of color suggest a traditional watercolor approach. However, the piece is created using oil pastels—an unconventional choice for achieving such softness and subtlety.
Terri’s process involved using a digitally altered reference image, transformed to resemble a watercolor painting. She then applied water-soluble oil pastels for the underpainting and layered traditional oil pastels on top. This thoughtful combination of materials and techniques allowed her to achieve a unique visual effect that challenges expectations of the medium.
Strong Composition and Visual Flow
Matt highlights the strength of the composition, noting the presence of both primary and secondary focal points. The viewer’s eye is first drawn to the figure’s head due to strong contrast and the natural tendency to focus on facial features. A secondary focal point is created by the hand and hose, emphasized through color contrast and directional lines.
The composition is further enhanced by an S-curve that guides the viewer’s eye through the image, creating movement and cohesion. The placement of key elements aligns closely with the rule of thirds, contributing to a balanced yet dynamic layout.
Value and Color Working in Harmony
Although the artwork is dominated by lighter values, it maintains a full range of contrast. Strategic placement of darker values ensures balance and prevents the composition from feeling washed out. Matt suggests that slightly darkening areas in the background could further enhance depth and contrast, though the piece is already effective as it stands.
Color plays a crucial role in the success of the image. Terri employs a complementary color scheme, primarily using reds and greens, to create visual interest and harmony. These contrasting hues draw attention to key areas while maintaining unity throughout the composition.
A Masterful and Thoughtful Execution
This lesson showcases not only technical skill but also creative problem-solving and a deep understanding of artistic principles. Terri’s ability to manipulate oil pastels to mimic watercolor demonstrates a high level of control and experimentation. Combined with strong compositional choices and effective use of color and value, the result is a compelling and visually engaging piece.
As always, Matt concludes by encouraging artists to continue submitting their work for critique and to embrace the learning process. Through revision, exploration, and thoughtful application of fundamentals, meaningful artistic progress is always within reach.



Hello Terri,
Another wonderful piece of artwork. I always enjoy seeing your artwork. Will be watching for the next one.
Teri (Artsy)
Thanks Teri. I appreciate the kind words.
Thanks so much Matt for this critique. For anyone who is wondering, the person in this drawing works for PestPro. Since I live in the country and spider webs can be a problem, they come to our house every spring to spray it to keep away all the little creepy crawly insects.
Dear June,
Since this critique starts out with one of your adorable cow paintings, I would like to highlight how much I just love your cows! Your re-doing is fantastic and shows a lot of improvement in your artistic skills.
Please, please, please – never stop working on your cows,
Buddy
Dear Teri,
After having attended the today’s wonderful Mondays with Matt lesson painting a pea in acrylics, which has been an eye opener to me regarding my understanding of value and saturation, I was so happy to see your fantastic art! I used my “new skill” to check on the green and red color values you have used and almost matched them!
But Teri, your art work isn’t about me practicing, but about you. I so agree with Matt that you created a perfect composition. In my mind, the figure is standing under a tree in a garden cleaning the facade of a house. 🙂
I am flashed about the use of media in this piece! Wow – I would have bet it’s a water color painting with a little use of gouache. Even with Matt’s explanations I can hardly imagine how you did this and how you even came up with this idea.
It’s art, Teri, congratulation!
Buddy
Hi Matt,
Thank you so much for critiquing both June’s and Teri’s wonderful art work. You did so great by choosing both of the pieces in one critique, as color wise, they go very well hand in hand (hope to make sense). I would have bet that Teri’s art is watercolor too, so thank you for all your clarifications about that.
Like always, I love all the quotes you do pick out for us – always very supportive and sometimes they come at the right moment in my life.
Thank you,
Buddy