SUMMER SALE!

Pastel Landscape Mastery: Matting and Framing

JOIN THE VIRTUAL INSTRUCTOR
Get ALL of our courses, ebooks, live lessons, critiques, lesson plans and more today.
This course features:
3 Hours of Instruction
15 Videos
14 eBooks
30 Day Money Back Guarantee

Lesson Description

In this final lesson from the Pastel Landscape Mastery course, Matt guides students through the essential process of properly matting and framing a finished pastel artwork. While creating the artwork is a major accomplishment, protecting and presenting it correctly is just as important. This lesson focuses on preserving the integrity of the piece while enhancing its overall presentation, ensuring that the artwork remains safe from damage and ready for display.

Why Proper Framing Matters

Pastel drawings are especially delicate due to the nature of the medium. Unlike other materials, pastel pigment sits on the surface of the paper and can easily be smudged or disturbed if not properly protected. Matt explains why framing is not just a finishing step, but a necessary measure to preserve the artwork over time.

By using the correct materials and techniques, artists can prevent damage from dust, moisture, and physical contact. This ensures that the artwork maintains its original appearance for years to come.

Choosing the Right Mat

The lesson begins with an overview of matting and its role in both protection and presentation. A mat creates a space between the artwork and the glass, preventing the pastel surface from coming into direct contact with it. Matt demonstrates how to select an appropriate mat board, including considerations for color, thickness, and archival quality.

Students learn how a well-chosen mat can enhance the visual impact of the artwork by providing contrast and drawing attention to the image. Neutral tones are often recommended to complement the colors within the piece without overpowering it.

Preparing the Artwork for Framing

Before placing the artwork into a frame, proper preparation is essential. Matt explains how to carefully handle the artwork to avoid smudging and how to secure it within the mat using archival methods. This step ensures that the piece remains stable and properly aligned within the frame.

Attention is also given to working in a clean environment, minimizing the risk of dust or debris becoming trapped inside the frame during assembly.

Selecting Glass and Frame Materials

Choosing the right glass is another critical component of framing pastel artwork. Matt discusses the benefits of using glass or acrylic glazing to protect the surface while maintaining visibility. Options such as UV-protective glass are also considered, helping to reduce fading over time.

The frame itself plays both a protective and aesthetic role. Students learn how to select a frame that complements the artwork while providing the necessary structural support. The combination of mat, glass, and frame works together to create a professional presentation.

Assembling the Frame

With all components prepared, Matt walks students through the process of assembling the frame. This includes placing the artwork within the mat, securing it inside the frame, and ensuring that all elements are properly aligned. Careful attention is given to sealing the back of the frame to prevent dust and moisture from entering.

This step-by-step approach ensures that students can confidently complete the framing process on their own.

Protecting Your Work for the Long Term

The final emphasis of the lesson is on long-term preservation. Properly framed pastel artwork is far less vulnerable to environmental factors and physical damage. Matt reinforces the importance of using archival materials and taking the time to frame artwork correctly.

This knowledge not only protects the artist’s work but also enhances its value and professionalism, making it suitable for display in homes, galleries, or exhibitions.

Completing the Artistic Process

This lesson serves as the final step in the Pastel Landscape Mastery course, bringing the entire creative process full circle. From initial sketch to finished and framed piece, students gain a comprehensive understanding of what it takes to create and present a successful work of art.

By the end of this lesson, students will have the confidence to properly mat and frame their pastel drawings, ensuring that their artwork is both protected and beautifully presented for years to come.

Lesson Materials

Mat cutter (optional), utility knife, mat board, a frame, yard or meter stick, kneaded eraser, pencil, double-sided archival adhesive. extra mat board or foam core.

Lesson Resources

Download eBook

Your Instructor
Matt Fussell - Instructor
Matt Fussell

Founder of The Virtual Instructor, artist and teacher. Matt makes learning art easy to understand and enjoyable.

Lesson Discussion

  1. How should I frame pastel board?museum series panel….12 x 16 ampersand thanks…I really enjoy this online program by the way..and I would love to share my art work but I don’t understand how to get into that area..I have an I pad is that why?

    • Hi Scott,

      I emailed you directions on sharing your work on the forum. Framing will be the same, just be sure to leave a bit of space between the glass and the work. Using a “riser” under the matt will help with creating enough space.

  2. Before I watch this video was “How could I frame my pastel drawings” but after the video I know
    how to do it.
    Thanks Matt your program is great!
    Victor Contreras Sr.

  3. Regarding matting and framing of pastel paintings. Can I overspray the finished pastel painting with a light coat of fixatif or a light coat of Krylon matte acrylic spray to fix the pastel to the paper and avoid dust? I’ve found that I get better results using fixatif lightly, but the Krylon acrylic spray works also IF and ONLY IF I spray very lightly. It might be possible to spray several times but also very lightly and from a distance of about 10-12″. Allow to dry thoroughly before spraying again. DO NOT SPRAY HEAVILY! I tape or pin the painting to a piece of cardboard to prevent warping. I find that the overspray not only affixes the pastel but also intensifies the colors.

Add to the discussion...