Pastel Landscape Mastery: Scumbling
Lesson Description
In this insightful lesson from the Pastel Landscape Mastery course, Matt introduces students to the scumbling technique while creating a peaceful landscape featuring a lone tree in an open field. This lesson focuses on how layered pastel applications can be used to build rich color, subtle texture, and a sense of depth. By allowing underlying colors to show through each layer, students discover how to create optical color mixing—an effect that brings vibrancy and life to their landscapes.
Understanding the Scumbling Technique
The lesson begins with a clear explanation of scumbling and how it differs from traditional blending methods. Instead of fully mixing colors together, scumbling relies on applying opaque layers of pastel lightly over one another. This allows the colors beneath to remain partially visible, creating a visually dynamic surface.
Rather than physically blending pigments, the viewer’s eye mixes the colors optically. This results in more vibrant and complex color relationships, giving the drawing a painterly quality that feels both natural and expressive.
Establishing the Landscape Foundation
Students begin by mapping out the basic composition of the scene, focusing on the placement of the tree and the surrounding field. Initial layers of pastel are applied broadly to block in the major shapes and establish value relationships. At this stage, the emphasis is on simplicity—working with large areas of color instead of fine detail.
This foundational layer is essential for the success of the scumbling technique, as it provides the underlying colors that will interact with subsequent applications. By starting with a strong base, students set the stage for richer and more dynamic layering.
Layering for Optical Color Mixing
As the drawing develops, students begin to apply additional layers of pastel using a light, controlled touch. Matt demonstrates how to gently layer colors over one another without completely covering what lies beneath. This approach creates a broken surface of color, where multiple hues interact visually.
This optical mixing is especially effective in natural landscapes, where subtle shifts in color occur constantly. The field, for example, may include variations of greens, yellows, and earth tones, all working together to create a more believable and engaging surface.
Creating Texture and Visual Interest
One of the strengths of scumbling is its ability to suggest texture. By applying pastel in uneven, layered strokes, students can create the appearance of grass, foliage, and other natural elements without drawing each detail individually. The texture of the paper also plays a role, catching the pigment and enhancing the broken color effect.
This technique prevents the drawing from appearing flat or overly smooth, instead giving it a lively, tactile quality that adds depth and interest.
Developing the Tree as a Focal Point
The tree in the composition serves as the primary focal point. Students learn how to build its form using the same scumbling approach—layering darker and lighter values to suggest volume and light. Rather than outlining every branch, the emphasis is placed on mass, value, and selective detail.
By increasing contrast and refining edges around the tree, it is brought forward in space, creating a strong visual anchor within the landscape.
Balancing Control and Spontaneity
Throughout the lesson, Matt emphasizes the importance of balancing control with a loose, expressive approach. While scumbling requires thoughtful application, it also benefits from a light touch and a willingness to let the layers interact naturally. Overworking the surface can diminish the effect, so students learn to build gradually and stop at the right moment.
Expanding Your Pastel Techniques
This lesson provides a valuable addition to the artist’s toolkit, offering a technique that enhances both color and texture. Scumbling allows for greater depth, vibrancy, and visual complexity without relying on heavy blending.
By the end of the lesson, students will have created a serene landscape featuring a tree in a field while gaining a deeper understanding of how layered pastel applications can produce optical color mixing. These skills can be applied to a wide range of subjects, making this lesson an essential step in mastering pastel landscapes.
Lesson Materials
Pastel paper, soft pastels.
Lesson Resources
Download eBook



I have really enjoyed these lessons! I can’t believe how much I’ve learned from watching. Now it’s time to go put them to use. I want to get through as many of the video lessons as possible first, just because there’s so many great techniques that I’m not familiar with. I have had several days this week where my painting and drawing efforts were delayed due to Dr. appointments. Priorities, priorities!!! Those appointments are seriously cutting into my playtime!
Thanks Betty!
What talent you have!!! I was just mesmerized watching the painting develop. And again, I learned so much more.
Thank you!
Betty
Thanks Betty!
Some people say scumbling is apply transparent color to the underlying layer while some other people say scumbling is apply opaque color to underlying layer. I am confused what scumbling is.
Hi Jianyu,
Scumbling is mostly about layering opaque applications. The colors underneath will blend optically with the colors that you apply over the top, rather than actually mixing with them.
Did really good with your free oil pastel painting, but have struggled with the pastels (too much of a perfectionist) but suddenly with the last two paintings things have begun to click. Not struggling but having fun. Thank you very much.
This looks like a fun loose piece and a must try. Hope I can make it look as easy as you have made it. Enjoyed watching it come together.